Archives for posts with tag: Sharyn Dimmick — photos
Photo shows whole pecan rolls.

Hot homemade pecan rolls. Photo by Sharyn Dimmick, who ate the missing one.

Two of my lovely readers, Smidge and Granny, asked me separately what the theme for November would be on The Kale Chronicles. I said I wouldn’t know until Sunday. Here it is Sunday evening and I have had a little time to think about themes for November. My first theme for November is returning to solvency. To that end I sold some more books. To that end I studied the buskers at the Berkeley Farmers’ Market yesterday, watching to see who was making money and who was not: the guy playing quietly to himself and not looking at passers-by had two or three dollar bills in his hat; the guy who sat in a chair playing the blues with his face to the crowds had a guitar case full of dollar bills. Who do you suppose I plan to emulate when I make my debut next Saturday afternoon? In the spirit of solvency I will be continuing to work with what we’ve got around here: today’s recipe incorporates some of the lovely pecans Lisa Knighton just shipped out here.

My second theme for November is NaNoWriMo, aka National Novel Writing Month. As a NaNoRebel I eschew the novel form altogether and have started another 50,000 word installment of my memoir, covering the history of Johnny and Sharyn, my pitiful finances and my various attempts to make money. I may post an excerpt of it here sometime in November to honor what I am doing (I spent the afternoon at a write-in at the Berkeley Public Library, scarfing leftover Hallowe’en candy and black tea, participating in “word wars” with my fountain pen — trying to write more words than dextrous young-ens typing on laptops — and feeling a little like John Henry meeting the steam drill…). At the end of the day I dropped my pen nib into my bottle of black ink by mistake and was grateful for my garage rag and bottle of water with which I scrubbed it clean, wiped the table and began to remove ink from my hands before going home to knead the roll dough that I had left rising in the fridge.

Which brings me to the third theme for November, always and forever a month of gratitude with Thanksgiving the third week in to remind us Yanks about sharing food with others, helping people and other things that got the Native Americans run out of their territory. My friend Vicki has started a month of gratitude posts on Facebook and it makes me happy to go to her page once a day and think about what I am grateful for: today it was the computer I type on and the apple pie that Mom made last night, specifically the slice of it I had for breakfast this morning with my decaf coffee.

When I was in the kitchen this morning mixing up sweet roll dough I realized that I had not had my hands in soft dough for a long time: roll dough is the lightest of yeast doughs — I can knead a full batch by hand without resorting to the Kitchen Aid with the dough hook. I used to make bread every week. I don’t know what happened to that habit — I just fell out of it somehow, between the demands of sourdough starter and the activities of daily living. I enjoyed having my hands in the fragrant dough, stirring with a wooden spoon, working in six cups of flour, greasing the bowl with a little butter before heating a tea towel and setting the dough to rise.

My pecan roll (and cinnamon roll and orange roll and spice roll) recipe comes from our trusty Betty Crocker Picture Cookbook. I make a full recipe of Sweet Roll Dough, using mostly butter, amending it to include a cup of whole wheat flour for health’s sake, scalding the milk because my Grandmother Carroll always scalded the milk. Before I leave to write at the library I divide the just rising dough in half. I give half to my mother to shape into clover leaf rolls and tell her to transfer my half to the refrigerator for a slow rise when she punches her dough down.

For the pecan filling I look at The Cheese Board Collective Works: they make delicious pecan rolls except for the mornings when some misguided person throws Sultanas or golden raisins in them and I have to pick them out. Repeat after me, “Raisins do not belong in pecan rolls, which are all about pecans, brown sugar and butter.” I take inspiration from their recipe, but not proportions: there is no way I am going to include a stick and a half of butter in twenty rolls. Theirs are good. Mine will not induce a heart attack. Pecans have healthy fat for you; butter not so much. If I use half a cup of butter it will be a lot.

To make your own pecan rolls, procure at least a cup of pecan pieces. Make sure you have milk, sugar, eggs, white and whole wheat flour, butter, yeast and brown sugar and cinnamon in the house. Then proceed with the recipe below.

Pecan Rolls

Proof 4 and 1/2 teaspoons yeast in 1/2 cup of lukewarm water. (If your yeast is sluggish, add a pinch of sugar and a pinch of flour)

Scald 1 cup milk.

Add to milk one stick of soft butter (1/2 cup) and 1/2 cup sugar. If you use salted butter you will not need to add any salt. Otherwise, add a pinch.

Pour milk mixture into a large mixing bowl.

Beat 2 eggs in the cup that you used to measure the milk. Temper the eggs with the warm liquid and add them to the  mixing bowl.

Add 1 cup whole wheat flour, plus 2 and 1/2 cups unbleached flour.

Check temperature with fingers. When mixture is no more than warm add reserved yeast.

Continue to add flour by the cupful until you have a soft but firm consistency. I used six cups total flour today, beginning with the cup of whole wheat and eventually adding five cups of unbleached flour, but sometimes the recipe takes as much as seven cups altogether. You know how bread is.

Cover roll dough with warm damp dish towel and go away for awhile. When dough has doubled in size, punch it down. If you do not have time to wait through the next rise, put the covered dough in the refrigerator and pull it out this evening or tomorrow morning. Let it warm and then roll it out on a floured board into a large rectangle. Roll it thin, but not so thin that it will break, perhaps 1/2 inch or a little thicker.

Let dough rest while you melt 1 stick of butter and stir in 3/4 cup brown sugar, plus 1/4 tsp cinnamon.

Spread one third of this mixture in the bottom of a baking pan (I used a 13″ x 9″ Pyrex pan), leaving a clear border at the edges with no goo.

Spread the rest of the butter and sugar mixture on the dough. Sprinkle on the pecans evenly and roll the dough up like a jelly roll, starting from the short side of the rectangle. Slice one-inch rounds from the log with a sharp, serrated knife and place each roll atop the goo in the pan. Let rise for fifteen minutes while you preheat your oven to 350.

Bake 25 minutes or until sufficiently brown. Then invert carefully onto another plate so that the goo runs down over the rolls. Enjoy, perhaps with a glass of milk.

Painting Note. No painting. I started one but I prefer not to paint after dark. When I finish it I’ll pop it into the post later in the week. Meanwhile I have NaNoWords to type.

Original ink and acquarelle sketch shows peach on plate with knife and fork.

Peach with Knife and Fork. 5″ x 7″ Ink and Acquarelle. Sharyn Dimmick. Detail of larger work.

Actually, I’m not going to talk about cake in this post, despite the title. I am going to talk about eating like a French person and how I lost weight and built muscle mass on a diet which included croissants, hot chocolate, espresso, wine and plenty of bread and cheese.

Some of you may remember when I came back from an earlier meditation retreat suggesting that you try to chew each bite thirty times to help you slow down and pay attention to the tastes and textures of what you were eating, to be present for your meal and to improve your digestion. Well, the French have another method for making meals slower and more enjoyable: some of it is in the meal service and much of it resides in the use of the knife and fork.

I am an American. I grew up in a culture where we eat with our fingers and turn even pieces of meat into unrecognizable finger foods (Chicken McNuggets, anyone?). Fourth of July aka Independence Day just passed: how many of you ate fried chicken, barbecued ribs, corn on the cob with your fingers? Raise those sticky hands and now wipe them on your napkins. But the list goes on. Who eats fruit by picking it up and taking a bite, perhaps over the sink, if it is juicy? How do you eat pizza, French fries, hamburgers?

Original watercolor painting shows old wooden door in stone wall, with green plant.

The Farm at Villefavard. 5″ x 7″ Acquarelle on Paper. Sharyn Dimmick.

At Villefavard, the first thing that appeared at dinner was a cold soup in a narrow glass (My favorite incorporated bacon, melon and cream). Sometimes there was a platter of prosciutto. Lunches began with plates of roasted vegetables, sliced tomatoes or salads and we had food shortages for a few days when the first twenty people through the line thought that that was all they were going to get and filled their plates while those of us further back in the line watched the last roasted peppers, the last tiny green beans, disappear, and saw that we would be eating shredded carrots again. We wrote notes to our teacher and to the administrative team, asking that people be more mindful and moderate in their consumption so that others could eat. I wrote notes.

The problem was a cultural one. Les Américains, not used to eating in courses, assumed that the first food out was all they were going to get and they needed to store up calories for the winter. Our hostess, Justine, spoke to us by the third night. She told us that the French eat in courses, that the chef would put out starters and salads and that later he would bring out the main course, then a cheese course and, finally, dessert. Natalie encouraged us all to try eating the French way — to serve ourselves limited amounts of the first course, go back to our tables, eat that, and then bring our plates back for meat or fish, paella or French lasagna. Meals began to look less like eminent food shortages once everyone realized that there would be more food, but there would not be more salad or crudites after the first service.

I conducted a further experiment beyond eating in courses: I decided that I would carve my food with my knife and fork the way the French did. This led to amusing incidents when we were served roast chicken and I was presented with a piece including a bit of breast, a leg portion and a wing. Only my kitchen skills at disjointing chickens saved me — I knew there was a joint and that I could cut through it to tease the bones apart. Even so, that meal took me a long time to eat, using a knife to remove meat from bones. Because the French method caused me to eat more slowly I had time to fully taste the food I loosed from the carcass and time to notice when I was full. As I cut pears and peaches with a knife and fork, cutting small pieces of goat cheese to eat in between slices of fruit, I remembered that my Irish grandmother always cut apples into slices for me and that apples tasted better that way (We ate the slices with our fingers though in my Grandmother’s kitchen).

St. Paul Pizza: tomatoes, mozzarella, oregano, chorizo, egg.

St. Paul Pizza. Photo by Sharyn Dimmick.

A week of eating this way was enough to convince me that it was beneficial. I still ate clafouti, cheese, fruit tart, but I no longer picked them up and absentmindedly stuffed them into my mouth. When I moved on to Paris the next week, I felt more comfortable with my knife skills and did not feel self-conscious eating pommes frites with a knife and fork. I ate pizza with a knife and fork in the Marais and I enjoyed it more than I would have had I picked it up. Many times, after making my way through an apertif and salad I had no room for further food. Other times I ate three courses and coffee. I did revert to outdoor picnics of bread, cheese, fruit and olives sans knife and fork, but only because airline regulations prohibit travel with a handy Swiss Army knife (I do not like to buy things I already own one of).

Eating French-style allowed me to eat a croissant and a hot chocolate for breakfast each morning. I stayed a few blocks away from the Eric Kayser bakery on the Rue de Bac. Each morning I put on my only pair of pretty shoes, walked to the boulangerie after it opened at seven, sat at a small square table facing a window and ordered my chocolate chaud and un croissant. Un croissant, not deux or trois. Eric Kayser’s croissants are light with an airy interior, stretched strands of yeast dough with the freshest, sweetest butter flavor. The crust shatters slightly, but does not produce a plate full of crumbs. The chocolate is rich and dark, served with optional sugar, which I never added or missed. I looked forward to my petite dejeuner and was sorry to leave Eric Kayser behind when I moved to the Bastille for my last two nights, but I found one other bakery with fabulous croissants by noticing a man carrying a small sack of bakery goods on a Sunday when many boulangeries are closed.

I came back from Paris trimmer and more fit, despite all of the wine, cheese and patisserie. Of course, I walked everywhere, often several hours a day, but that is another story.

P.S. Writing Practice Classes in the San Francisco Bay Area: I am contemplating teaching one of my rare writing practice classes this summer. If you would like to learn writing practice as developed by Natalie Goldberg (set forth in Writing Down the Bones, Wild Mind and many other books), please contact me.

Ink and watercolor sketch of Paris hotel.

L’Hotel du Quai Voltaire, Paris, France. Ink and watercolor. 5″ x 7″ Sharyn Dimmick.

Dear Readers,

I know I promised you a second cake post from France. Sometimes things don’t work out as planned (and I will tell that story later). For now, I offer you a few images from my trip, with captions. Don’t worry — I have plenty to show and tell. I will be back on my regular schedule soon, once I can get to a farmers’ market, pick up my CSA box and get back into the swing of summer in the Bay Area. Today I went to my favorite annual party, a Fourth of July bash where we grill food, swim, chat, sing and have a giant potluck all afternoon. I’ll report on that, too (Mom parboiled a huge slab of pork ribs yesterday afternoon).

In the meantime, La Belle France in images from my camera and sketchbook.

Villefavard Roses. Photo by Sharyn Dimmick.

Photo shows vase of roses, apricots, basket.

In the kitchen at Villefavard. Photo by Sharyn Dimmick.

“My” room at Villefavard.

Striped Cups. Photo by Sharyn Dimmick.

Librairie. Limoges, France. Photo by Sharyn Dimmick.

Picnic lunch displayed on a graffitied park bench in Limoges.

Dejeuner impromptu. Photo by Sharyn Dimmick.

Ornamental drain cover, France.

French drain. Photo by Sharyn Dimmick

Portrait of impromptu band, La Souterraine, France.

Band photo by Lisa X.

Photo shows window display of hand-painted shoes in the Marais.

Painted Shoes. Photo by Sharyn Dimmick

Photo shows display of silver tableware from a Paris antique shop.

Antique shop, Rue de St. Paul, Paris. Photo by Sharyn Dimmick.

 

Glassware and candles in Paris shop window.

Shop window, Rue de Bac, Paris. Photo by Sharyn Dimmick.

 

Pen and ink sketch of window and view from Room 409, Hotel Baudelaire Bastille, Paris, France. 5″ x 7″ Sharyn Dimmick

 

 

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