Archives for the month of: December, 2014
Painting of Christmas cookies on green and red tablecloth.

Christmas Eve. 8″ x 8″ watercolor pencil and white gouache. Sharyn Dimmick

My mother will turn 85 on New Year’s Day 2015. She has begun announcing that this is our last traditional Christmas celebration, complete with tree, wrapped presents, homemade festive meal, assorted guests and family members, cookie-baking marathon, cut boughs of holly, etc. It is time for a change, she says.

I had always assumed that I would step in and take over the family Christmas traditions. For many years I have increased my contributions to the Christmas labor. But, this year, I had an unexpected number of music gigs in the weeks leading up to Christmas, and a wild week where I both attended concerts and played them. I went north to sing on the radio and to visit my best friend. I went to a local party. And amidst all that I stood by to receive shipment of my new “Clueless” CD.

Clueless  CD  CoverThe CD was shipped December 10 from Oasis Disc Manufacturing via UPS with two-day shipping. The first notification I got said it would be delivered on Monday December 15 (NOT two-day shipping). Many emails and phone calls later I got a notification today on December 19 that it was on a delivery truck. Lo and behold it got here this evening and is available for purchase at long last. here this evening. In the meantime, Oasis offered to re-manufacture the CDs at no cost to me and to ship them this coming Monday. This means that I will eventually receive 600 CDs instead of 300, but it also means that I cannot get them to anyone but locals by Christmas or Chanukah: Now that the CDs  have arrived I will carry a number of them around in my guitar case and backpack. I will also offer them for sale at Down Home Music and at CD Baby where you can get my 2009 release “Paris” and hear full-length versions of most songs, plus clips of the cover songs. Soon I will begin the process of getting full versions of the songs from “Clueless” up on CD Baby as well. For now you can hear a couple of the songs for free on Reverbnation.

What I have learned from this is that Oasis comes through for its customers, even in situations where they are not at fault and UPS — well, let’s just say that my brother who worked in shipping for a number of years recommends Fed Ex for deliveries.

Anyway, as Christmas approaches, my participation has been limited to buying a few gifts (in October and November), and making ginger cookie dough (yesterday). When I feel better I will be making my famous cocoa shortbread and possibly a new cookie. Mom beat me to making pfefferneusse, Russian tea cakes, dream bars, apricot bars and sugar cookie dough, but I might make up a batch of Smitten Kitchen’s maple butter cookies anyway because my brother and I fell in love with them the first time I made them. I will put some Christmas music on as I lounge about today, awaiting the arrival of the “Clueless” CDs and hoping to put in a brief appearance at a music party this evening.

painting of pomegranates, limes and December sunrise.

December Still Life. 8″ x 8″ gouache and watercolor pencil. Sharyn Dimmick

Saturday morning I have one more gig at the Berkeley Farmers’ Market, if it does not get rained out. Saturday afternoon and Sunday morning I will be assisting my friend Elaine in preparing for her annual Chanukah party. I will spend Christmas Eve Day with Johnny, eating salad and tamales from Trader Joes, after serenading the morning commuters with Christmas carols. I return home in the evening to rest before assisting Mom with the last Dimmick Christmas feast marathon the next morning. All traditions come to an end, changing in subtle ways before they become part of the ghostly past of memory. No one can remember what year I started buying Straus whipping cream or what year we stopped making homemade caramels or what year I put candied ginger in the pfefferneusse or what year I invented the shortbread.

Whatever you celebrate and wherever you are, I wish you the happiest of holidays. Happy Solstice, Yule, Christmas, Chanukah, Kwanzaa. Happy holidays I have never heard of or can’t keep straight in my head. May you know the joy of feasting, of companionship, of bright light in a dark time, of joyful music. Best wishes to all who read The Kale Chronicles, whether you have been here from the very beginning or whether you just popped in today. May you enjoy your winter festivities and the love of all beings dear to you. Love, Sharyn

Advertisements

Clueless  CD  CoverPlease excuse the hyperbole — I am practicing supporting my music with better marketing efforts. As I mentioned in the November post I took part in Maia Duerr’s course “Fall in Love with Your Work” this fall for the second time. The signal realization for me this time around was that I had wanted to become a performing singer and songwriter at age eleven and that I still wanted to do that. Maia gives students in this class an opportunity to sell work on the Liberated Life Project Marketplace website, which inspired me to create, “Clueless,” a new EP (reduced length CD) of three original love songs I had written in 2012. “Ingenue” describes the experience of falling in love despite “a lifetime of love gone wrong.” “The Werewolf” talks about “the alcohol werewolf blowing my safe house down,” worrying out loud about potential problems in a desired relationship and “Clueless” details mishaps of courtship where both participants trade off being “clueless” by not understanding one another, not picking up hints, etc. That one, like “Ingenue” has a happy ending — it is always a positive, enlarging event to fall in love because it opens the heart.

This new E.P. marks the first time I have released a recording of all original material. I might as well be known as Sharyn Don’t-Call-Me-a-Singer/Songwriter Dimmick because I am always saying that. As a songwriter, I value my own material and I sing it myself, which technically makes me partly a singer/songwriter, but, as a singer, I like to sing all kinds of songs, from traditional Scottish and American ballads, to hymns and Christmas carols, to 19th century classics like Stephen Foster’s “Hard Times” to iconic songs like Joni Mitchell’s “Woodstock” and Bob Dylan’s “Don’t Think Twice, It’s Alright,” to lesser-known contemporary gems like Shelley Posen’s “No More Fish, No Fishermen,” a lament for the decline of the Newfoundland fisheries. Because I wanted to present some new music this year and because the songs on the “Clueless” album hang together well I decided to release them as a solo acoustic project, an album with no overdubs or guest musicians.

Photo of cover of Paris CD by Sharyn Dimmick.

My previous recording, “Paris” covers a wider scope of my musical interests. The inspiration for that recording was the title cut, also called “Paris.” When someone I thought might be more than a friend took off for Paris without me and did not send me so much as a postcard from the trip a song was born as I mulled over every visit I had made to the City of Light, from a hitchhiking trip when I was twenty to a visit to a lover’s family in the 1990s. When I wrote the song I knew I wanted people to hear it, including my zen and writing teacher, Natalie Goldberg — I figured if I put it on a CD she would have to listen to it.* The recording features two other original songs, “The Wallflower Waltz” and “Morning Shanty,” which I had recorded previously on a cassette recording called “I Am Your Winter Lover” in 1998. I filled out the CD with songs I had known and loved since childhood: “Barbara Allen,” “Bringing in the Sheaves, ” “Big Yellow Taxi” “When You and I Were Young, Maggie” and “The Battle Hymn of the Republic.” I sandwiched “The Battle Hymn” between Richard Thompson’s “We Sing Hallelujah” and Leonard Cohen’s wonderful anthem “Hallelujah,” recording the three songs as “The Hallelujah Trilogy,” backed by a group of singers I called “The Hallelujah Chorus.” I also employed musicians to add fiddle, banjo, second guitar, concertina and harmony vocals to some songs, and dubbed in my own harmony parts on others.

I am pleased to announce that Bay Area readers (or those traveling through town) will have an opportunity to meet me and to hear my music in a live performance at the December 12 Open Mic at the Berkeley Fellowship of Unitarian Universalists, 1606 Bonita St.. I will be the featured performer for December and will sing a 20 minute set. If you are in town, please come to hear me. You might even be able to take home a copy of the “Clueless” EP.  I will also be singing the Scottish ballad “The Bonnie Banks of Fordie” on the radio this week on “Traditional Ballads with Sadie, streamed at www.kggv.blogspot.com or live at 95.1 FM on Thursdays 7:00 to 8:00 PM Pacific Time.

Be sure to check out other offerings from the Liberated Life Project Marketplace. Here Jill S. talks about her lovely note cards of architectural details and dahlias.

* After the “Paris” CD was released, Natalie confessed to me that she only listened to the tracks she liked best and skipped the rest. I extracted a promise that she would listen to the entire CD. She did and then wrote me a lovely review on CD Baby. Later she featured the lyrics to “The Wallflower Waltz” and stories about me in her book, “The True Secret of Writing.” She has continued to be a staunch supporter of my music and a good friend.