Archives for posts with tag: writing practice

Dear Readers and Writers,

For those of you who like to jump off the dock or dive in headfirst with no prior thought — “Just get me in that water now” — the first summer session of 2026 starts Monday. Yes, this Monday, June 29.

The five week group looks to be small, as summer sessions often are (People have children at home, family vacations, gardens to tend). It will consist of some long-term students and at least one brand new person.

We begin each class period with ten minutes of zen-style silent meditation. We write for timed periods on suggested topics, but you are always welcome to go rogue and provide your own topic and to go wherever your mind takes you. We read what we write aloud to each other without commenting on the writing, the situation described in the writing, our response to it, etc. There is no “critique” in a classic writing practice group, just the space to explore whatever you need to explore with the freedom to say whatever you need to say again and again.

For those of you who prefer to plan, looking at the weather forecast, the traffic conditions, dipping one toe in the water cautiously, glancing to see if there is in fact, a lifeguard on duty, or for those of you who need to schedule your activities further in advance, the second five-week summer session will take place on the five Mondays of August, beginning August 3 and concluding August 31.

Each of the summer sessions is five consecutive Mondays. The group takes place on Zoom from 9:00 to 10:30 AM Pacific time. If you sign up, I expect you to be present all five Mondays: this helps keep the group cohesive.

Each five week session costs $125.00. Fees for Summer Session #1, which starts this Monday, are due as soon as possible and, in any case, before the first class starts on Monday. Fees for Summer Session #2 are due by 5 PM Pacific on July 31, 2026. You may pay via PayPal at PayPal.Me/yourbusker or search sharyndimmick@att.net on PayPal. Or you may mail a check to me (If you want to send a check, email me and I will provide you with my address.

If you want to go wild and sign up for both summer sessions, you have the option of paying for each one separately or paying $250.00 USD in a lump sum, whichever is most convenient for you.

I will send out the Zoom link for class the night before it starts, on June 28 and on August 2.

Questions? Ask away.

Sharyn

P.S. I’ve said this before, but I’ll repeat it. I spent over twenty years studying with Natalie Goldberg in person, generally about four times a year in Taos, New Mexico, Santa Fe, California and Wisconsin. I was later named one of her dharma heirs and have her full blessing to teach writing practice. I have been teaching on Zoom since 2020.

P.P.S. I will be teaching a full twelve-week fall quarter, but due to life’s uncertainties I have not been able to schedule fall dates (I’m dealing with a sick cat and possible pending travel plans). I will make a fall announcement as soon as I know my teaching dates, which may or may not be consecutive Mondays.

Happy New Year everyone.

I love to teach Natalie Goldberg’s writing practice. I hate to market my classes.

Here’s the deal. I am a dharma heir of Natalie’s and studied with her for more than twenty years, mostly in person. I started a writing practice group in response to requests from students in Natalie’s online classes at Shambhala/Prajna.

That group, the Monday AM Practice Group, is still going. We meet once a week at 9 AM Monday morning in the Pacific time zone of the United States on Zoom. Class lasts an hour and a half. We begin with ten minutes of silent, zen-style meditation. Then we practice writing, reading aloud to each other and listening. We often read a work of fiction or a memoir mid-quarter and draw writing topics from it.

I open the group to new students once each quarter. Students must commit to being present for all twelve sessions, barring personal emergencies: this is a community of writers, not a drop-in group. Winter Quarter starts January 5th, this coming Monday. Tuition is $300.00 for a 12-week quarter, payable in three installments of $100.00 USD, or as a lump sum of $300 USD.

If you are ready to jump in and join us, or have questions, please use the comment field or contact me via email at sharyndimmick@att.net. Thank you.

Dear Readers,

As some of you know, I teach writing practice, a way of writing developed by Natalie Goldberg based on zen practice. In 2021 Natalie named me a dharma heir and I teach in her tradition after nearly twenty years of in-person retreats with her, serving as a teaching assistant in more than one of her online Shambhala courses, and attending online retreats with her.

In May 2021, at the request of some of Natalie’s online students, I formed an online writing practice group called the Monday AM Practice Group, named for my time slot in Pacific time. The Monday AM Practice group is still going: we will be starting our Spring Quarter on April 7, 2025. Spring dates are April 7, 14, 21, and 28, May 12 and 19, and June 2, 9, 16, 23 and 30. We meet on Zoom from 9:00 to 10:30 AM Pacific time.

We begin each class with ten minutes of silent zen-style meditation, returning to the root of writing practice. Then I provide writing topics and we write together and read aloud to each other.

One of the things about writing practice groups than other forms of writing groups is that we don’t comment on each other’s writing: we don’t voice our opinions or give feedback on what we hear read. Instead, we give the writer/reader infinite space to say what she/he/they need to say: our job is to listen, to witness what is said silently, to be as fully present as we can for the voice of the writer/reader.

Being in a group where there are no comments on your work can be disconcerting, but it frees you to say whatever you have to say without fear of others’ disapproval and it frees you to explore the content of your own mind.

The Monday AM Practice Group opens for new members at the beginning of each term and then closes to promote safety and cohesion. New members need to commit to attending each scheduled session for the duration of the term, unless you clear an absence with me in advance. This helps members of the group know that you will be present for them.

This group generally consists of somewhere between ten and twelve students, although there have been as many as eighteen in the past.

Spring Quarter 2025 is an 11-week quarter, offered for $275.00 USD, which works out to $25.00 per class period. In addition to class time you get a written summary each week of each class, which includes suggested homework assignments (generally five topic suggestions) and access to me for questions via email.

Payment can be made via PayPal (the easiest option for non-U.S. residents) or by personal check. You may pay for the entire quarter in a lump sum, or make three monthly payments. Payment for Spring Quarter will be due on April 1, 2025 by noon Pacific time. For those opting for the installment plan, your first payment of $100.00 USD will be due on April 1.

If you have questions for me, please use the comments field below. Thank you.

Dear Readers,

Forgive my shameless bit of self-promotion here: this blog is one of the ways I sometimes reach people and prospective students.

A bit of background. I am one of Natalie Goldberg’s two dharma heirs. I studied with her in person multiple times of year for nearly twenty years until the pandemic sent us all online for awhile. Natalie endorses my teaching and said in a retreat in December 2024 that she would study with me.

Nearly four years ago some people who had studied with Natalie online wrote to me and asked me if I would teach a writing practice group. I formed the Monday AM Practice Group where we meet Mondays on Zoom to practice sitting meditation, writing practice and reading aloud. That group is still going strong after all this time with some of the original members still attending. I open the Monday AM Practice Group once each quarter to new students and require that new students attend the entire session (usually twelve weeks during fall, winter and spring and shorter sessions — four or eight weeks — during the summer). There will be openings in the Monday AM Practice Group for Spring Quarter in April 2025.

Do you know what writing practice is? Writing practice is generally timed writing where you just put down on paper the words that occur in your mind about any topic. You don’t cross out, edit, or self-censor, you just say what you think as you think it. Since we all think faster than we can write, you may not be able to get all of your thoughts on paper, but you try. For this reason, you keep your hand moving during the entire time period from when I say “Go” to when I say “Wind down.” You do not stop to think, ponder, consider.

Here is an example of writing practice. I wrote this on my Facebook page after an old friend died recently. It is unedited, just as I wrote it (I may have gone back once to remove a typo or to change a punctuation mark — simple proofreading — but I did not change any words or word order). Here it is.

“My old friend Ed has died and I have so many memories of him: Ed singing bass and doing a spoken part on “The Hallelujah Trilogy” on my first CD; Ed’s kitchen on Henry St with the coffee pot labeled “Psychotic Blend;” Ed taking me to a Yom Kippur service so that I could experience its beauty and majesty; Ed getting obsessed with songs from New Jersey; Ed wearing dresses on New Year’s Eve and skirts on no occasion at all; Ed being asked to peel potatoes for a holiday dinner — we showed him the bin and he peeled all ten or twenty pounds (badly, leaving skin and eyes — my Grandmother, who loved mashed potatoes, ate only a teaspoon and refused to take any home); Ed turning around at the original Freight and Salvage when he heard me sing and asking who I was, and Ed and I going after Mary O’Brien when we first heard her sing at Camp Harmony (“Who’s that? Let’s find out!”); Ed writing a love song to Dale about snoring; Ed snoring the loudest of all in the snoring cabin at camp; Ed getting in bicycle accidents (His automobile driving was terrifying); Ed driving a car with a bumper sticker that said “Legalize lutefisk”: we got stopped on Amherst Ave by an overzealous Kensington cop who wanted to know what lutefisk was and if it was legal; Ed’s loud laugh; his big blue eyes; Ed coming to a company party wearing a suit the color of orange sherbet with an elegant woman dressed in black velvet. One of the things I remember best about him is that, despite bouts of depression and discouragement, he often had some idealistic new plan for his future.”

That’s it. You can do it, too. Many people find writing practice useful for overcoming writer’s block (I believe that writer’s block happens when we are scared of what we think and feel, or are scared of taking the next step in a piece).

Teaching writing practice is a skill that I developed over two decades. Facilitating successful groups where the members feel safe and develop into a community is also a skill that I have been honing for years. I am good at what I do, although no one teacher is a good fit for every student.

Here is what one of my current students had to say about my classes:

Attending Sharyn’s classes has helped me maintain a writing and meditation practice for over three years. Sharyn’s classes have provided me structure to develop my own practice and build my “writer’s spine”. Her classes are an opportunity to write and read in a community of other writers from around the world. Sharyn provides comprehensive class summaries and additional writing topics to carry you through your week and sessions usually include a book study to explore a published author’s mind and words, recall practice to enhance listening and awareness skills, and notebook review to study your own writing and get to know when you are hot and when you are not. Sharyn is a steadfast and creative writer and mentor and if we’re lucky sometimes she sings.

If you are wanting to develop, maintain, or reconnect with your own writer’s spine (writing self) joining sharyn’s classes will give you the opportunity and experience you are looking for. — Jodi Griffith, Wholehearted Sage, Canada.

And this from my assistant Adela:

My name is Adela and I am a Mexican writer, translator and psychotherapist living near Mexico City. I have been participating in Sharyn’s Monday morning writing group for almost 3 years now and it has been a very profound and enjoyable experience. I have been able to deepen my understanding and practice of the principles developed by Natalie Goldberg in a safe and structured space. This has had a very clear impact on my creative energy as a writer of novels and short stories. Working with Sharyn and interacting with the other participants, knowing that everything is ok and nothing is judged, has opened the gates of freedom for my words. I now dare to go where I wouldn’t have before with a renewed sense of excitement and commitment.

If you think you would like to join a writing practice group on Zoom in the next few weeks or months, please let me know in the comments 1) What time zone you are in 2) What days and times would work best for you for a weekly one and a half hour class. 3) When you could start.

Eternal verities: a quarter currently costs $300 for twelve weeks, which works out to about $25.00 per week. For that, you get twelve weekly meetings of an hour and a half duration, a written class summary each week, optional writing assignments and topics to explore and email access to me for all of your questions and concerns. I accept payments via PayPal and by check and students may either pay in full at the beginning of the quarter or pay in three monthly installments.

Full transparency: Teaching writing practice is how I make my living. Please do not ask me to teach for free or ask for a deep discount on my rate. If you need an accommodation to attend, please ask me about it — I can sometimes offer discounts to a motivated student and I also sometimes need an assistant in a class (Assistants attend for free in exchange for helping me out in class and being able to hold the class if something happens to me. In fact, I have been at every class since I started teaching, sometimes on my phone during power outages because one of the rules is to show up).

Added February 10, 2025: What I Know About Editing. If you have been doing writing practice and are ready to take a first pass at editing or revising or expanding your work, I am willing to teach a class on what I know about editing. I need some guinea pigs — er, students. Dates and time to be arranged when I have five interested parties.



Dear Writers,

Here is the schedule for my upcoming writing practice retreat, which will take place between 7 AM and 3 PM Pacific Time on July 15-16, 2023.

All times are given in Pacific Time.

7:00 AM – 7:30 AM Sitting Meditation

7:30 AM – 8:30 AM Break

8:30 AM – 11:00 AM Writing, Reading Aloud

11:00 – 12:00 Break

12:00 PM – 2:00 PM Walking, Writing, Reading

2:00 PM – 2:30 PM Break

2:30 PM – 3:00 PM Sitting meditation

Cost: $80.00 USD. Payable via PayPal at: PayPal.Me/yourbusker. Please make payment by 7 AM Pacific on July 14, 2023.

Questions? Please ask in the comment field.

Dear Readers,

I can’t believe it has been nearly six months since I have written to you. I’d like to offer you an explanation and an update. Remember that part of my subtitle is “transformation.”

I stopped writing Johnny Harper stories. I’m not saying I’ll never write one again. It was useful writing Johnny and Sharyn stories in the aftermath of his death. It kept me connected to his community and helped all of us grieve.

But, as I mentioned once, I am currently the sole caretaker for my elderly mother, who is undergoing cancer treatment. In the last five months she has aged about ten years and my duties have increased considerably in that time.

Ironically, The Kale Chronicles began as a recipe blog and I am now cooking up to three meals a day, but I do not have time to blog about food between shopping for it, making it, serving it and cleaning the kitchen. We eat fairly simply. I still shop at the farmers market and Grocery Outlet. Today I made these lovely lemon ricotta pancakes from the New York Times and served them with fresh raspberries. https://cooking.nytimes.com/recipes/1022931-lemon-ricotta-pancakes? For lunch we had leftover lasagna and I don’t know yet what is for dinner tonight.

Anyway, one of the things I have managed to keep doing over the last two years is teaching Natalie Goldberg’s writing practice on Zoom. My flagship group, the Monday AM Practice Group, meets Monday mornings from 9:00 AM to 10:30 AM Pacific Time. We spend our first ten minutes in silent zen-style meditation and go on to write and read aloud to each other without commenting on each other’s work.

I am a dharma heir of Natalie’s and have studied with her twenty-three years straight: I have a good grounding in writing practice, shelves of filled notebooks and two years teaching experience. I enjoy teaching, and appreciate my students and their dedication to the practice.

If you, too, would like to engage in writing practice, I have openings for two four-week sessions:

July 10, 17, 24 and 31, 2023. Registration deadline; Friday July 7, 6 PM Pacific

August 7, 14, 21, and 28, 2023. Registration deadline: Friday August 4, 6 PM Pacific

Each four-week session costs $100.00 USD. You may sign up for either or both summer sessions.

For your fees you get 1) Membership in an ongoing established writing practice group 2) My considerable experience with aspects of writing practice 3) Weekly summaries of what we did in class 4) Weekly suggested writing topics and other optional writing assignments.

If you have been writing and could use a concentrated weekend of sitting meditation, writing practice and reading aloud, you might want to sign up for a Writing Practice Retreat on July 15-16, fees and hours TBA (Watch for an announcement next Friday, June 23).

Meanwhile, stop chewing your pen. Bring it to your notebook and keep your hand moving. Write whatever comes into your head. No good. No bad. No censorship. No rules about grammar or spelling at this stage. In writing practice, we begin again every time and our goal is to record the first thoughts in our mind, to get on the page our memories, sensations, feelings, stories — whatever is foremost in our mind at the time of writing.

A writing topic (Some people call them “prompts,” but Natalie prefers the weightier and broader term “topic”) is a jumping-off point, a place to start. You might start with “I’m looking at…” or “A day in June” or “My mother’s purse.” Then go wherever your mind goes, trusting and accepting that writing will get you where you need to go.

Do you have questions? Comment away and I will answer them. I will also be glad to send you extensive information about the Monday AM Practice Group. Just email me at sharyndimmick@att.net. And if you are ready to sign up for July or August, send me an email to do that.

Thank you for reading. I’m sure I’ll have more stories someday…

Sharyn

Dear Readers,

Since I last wrote I have embarked on serious work on my memoir. I am five chapters in what I call a first or second draft, depending on my mood. The memoir originated in a habit of writing that I have had for most of my life, aided by over twenty years of writing and meditation retreats with Natalie Goldberg, and vomited on the page in three years of NaNoWriMo from 2009-2011. I had written a lot, over 150,000 words, plus countless stints of writing in notebooks and I did not what to do with what I had, so I let it sit. And sit. And sit.

Then, shortly after I wrote my last blog post in January 2021, Saundra Goldman invited me to a free webinar on writing. One of her questions caused me to weep, sweat, lose sleep. She said, “Tell me about experiences when you went out on your own and what you dreamed of.” The question haunted me, bringing every failure in my life into focus. She was offering a four-session class in February. And, before I even started it I knew it was time to write the memoir, time to dig into what my life had been and the root causes of much heartache and self-doubt.

Before Saundra’s class started I set a strong structure in place to help me make it through the emotional ups and downs of writing. I already had a writing group that I met with once a week. To that I added twenty minutes of sitting meditation each morning and a ten-minute check-in write that Saundra recommended: “Where I Am.” Right after breakfast I returned to my room to sit and write.

When I took Saundra’s class I connected with one of the other students. I liked her energy. I liked her project. I reached out to her on Facebook and joined a dyad of writers who wrote with each other twice a week for an hour and read to each other for an hour on Fridays with limited feedback. I was nervous about giving and receiving feedback because I had been working in a tradition for over twenty years where you don’t comment on each other’s work at all. At the same time, I was excited because I was engaged with the memoir again. Writing is lonely work and being able to ask questions about how my work was landing with listeners felt helpful.

I registered for one of Natalie’s online writing classes to keep me going after Saundra’s class ended and signed up for a writing retreat in July in Wisconsin, even though the pandemic still raged through the United States — I figured if it was impossible Natalie would cancel the retreat. I started meeting with a writing group twice a week rather than once, knowing that every time I attended I would be writing. If I could I would work my memoir into the writing topic; if not writing would keep me limber for memoir writing.

With my structure in place, I wrote. I had written a draft of my first chapter in 2019 for a manuscript review. I took out the draft, reread it, read the comments Natalie had made, thought about them and began to craft a new shape for the chapter. I took out some parts I loved, hoping to use them later, and tried to make the story clearer. When I thought I was done with the chapter I asked a few writing friends to read it and comment. I asked one of them, my most clear-eyed and enthusiastic reader, what he thought the story needed next and he said the reader needed a break from the intensity of chapter one.

I considered what I could start with in chapter two and ultimately decided to go back to the day I was born, before I was born, where the main character was my mother.

All through the writing process I spend time rereading parts of notebooks and journals, making time lines for the section I am working on, drawing diagrams to represent potential structures of the book. I work intuitively, letting writing do writing. Sometimes I don’t know for days or weeks what is happening next in a chapter or in the memoir as a whole, but I keep writing anyway, even if I’m writing “I don’t know what else needs to go in chapter five.”

I also keep asking for what I need. One day I was writing in writing group about wanting more feedback from people who did writing practice. When I read the piece aloud, one of the listening writers said to me “We have a group like that that meets on Wednesday evenings.”

I agreed to attend one meeting to see how it went before making a commitment: my entire writing life I have stayed away from “critique groups” and competitive situations. At that first meeting we got a fun writing topic, a piece of a Nick Drake song. No one was slashing and burning the writing we heard. I joined up and added the Wednesday Evening group to my writing, support and feedback structure.

Why am I telling you all of this? Because if you want to work on a sustained writing project such as a book you will need a good structure. My pal Saundra will tell you to study books for their structure — she’s good at that. But the structure I mean is a writing and emotional support structure because writing a sustained work is hard work. The part that no one tells you about writing a book is that you will unearth things about yourself and your past as you write and it will not all be pretty and some of it will not feel very good.

So, first things first: if you want to write a book, do whatever supports your sanity. For me this is sitting meditation. Then make some writing structures: if you like writing groups or classes, join some and show up for every meeting. If you want or need feedback, find a trusted friend or two who is willing to read your work periodically. Ask people for what you need and see if it doesn’t appear.

And then what? Keep going. Keep going when you write junk. Keep going when you are confused. Keep going when you don’t know where you are going. Let writing do writing.

Formerly green tomato.

Formerly green tomato.

I began writing this month’s Kale Chronicles on an October afternoon, following a morning of rain showers. The rain is a major blessing in drought-stricken California. My thirsty vegetable and mint plants drink in the rain, as they have drunk in the abundant sunshine of October. The two-tone green tomatoes have unexpectedly turned orange and are on their way to red. The poblano peppers on one plant continue to grow, while the other plant is forming fruit as its blossoms die. A few tomatoes that fell before they were fully ripe are ripening on a windowsill in the breakfast room. I will have a small harvest from my seed-grown vegetables.

With the return of damp weather to punctuate a bright autumn, my thoughts turn to butternut squash soup. I originally published this recipe for kabocha squash soup in 2011, an adaptation of the soup I usually make from butternut squash, my absolute favorite of the winter squashes. I start making this soup each year when the weather gets cool and continue to make it until spring warmth returns. Butternut squash keep a long time on the counter or in a cool garage or cellar and one large or two small ones will make a lot of soup. All you need else is water, onions, fresh ginger, tamari, a bit of thyme and dairy or non-dairy milk to suit.

Poblano and flower.

Poblano and flower.

My personal lesson for the summer and fall parallels the experience my friend Saundra wrote about in her Wonder Woman blog post: that in times of trouble I must make self-care a priority, whatever form it takes. In my case, I must meditate, seek conversations with friends, practice music, attend 12-step meetings, do spiritual reading, attempt to get reasonable amounts of exercise and sleep. A surprising outcome of taking better care of myself is that I draw all kinds of gifts into my orbit: a friend offers to make a performance video that I can put up on YouTube (Stay tuned! I’ll tell you when it is done). Another friend sends me a music CD that I want in exchange for feedback on the CD. Even the passers-by at my busking gigs buy more CDs and increase their tips to me. And I hatch an idea for a new short-term music project: next month I will go into the studio to make a three-song E.P. (short CD), recording the songs I wrote in 2012. It will be called “Clueless” and I hope to have it for sale by the end of next month. I am only manufacturing three hundred copies to start so be sure to let me know in the comments field if you would like one for yourself or for a Christmas or Chanukah gift (Manufacturing a small run makes it possible for me to make new music available without incurring the large costs of a full-length project). I continue to busk and offer full-length “Paris” CDs for sale at CDBaby, Down Home Music and via email.

My daily experience continues to be that people are kind to me and supportive of my projects and of my efforts to improve my life and relationships. Oh, sometimes there is push-back, but there is often a way to step out of the conflict by focusing on what I need and not what the other person is doing.

I am continuing to seek what Buddhists call “right livelihood,” ways to earn money that are consistent with my gifts and ethical stance. For inspiration I am currently taking an expanded version of Maia Duerr’s course, Fall in Love with Your Work. In the spirit of generosity, I have created a new page on The Kale Chronicles called “Writing Prompts.” Look for the page link up in the left-hand corner at the top of the blog post. Each month I will feature some of the prompts or writing topics I learned to use in fifteen years of work with Natalie, plus prompts inspired by the current season (sort of like your serving of writing fruits and vegetables for basic nutrition). I will be glad to answer questions about writing practice and grateful to have referrals to students in the East Bay who desire to learn Natalie’s deep teachings.

 

Not so much has changed since I wrote my March blog: I am still busking in the Berkeley BART stations twice a day five days a week, plus singing at the Farmers’ Market some Saturdays. I get up and eat breakfast, often flavored oatmeal cooked in milk, but sometimes leftover pie or scrambled eggs with cheese or vegetables, fresh cinnamon rolls, Shredded Wheat with sliced strawberries now that spring has come.

I am almost always home for lunch, which I generally eat with a pot a black tea, served with milk, English-style. Today I had tacos from some leftover poached chicken, simmered in green salsa, with sour cream, shredded cheese, romaine lettuce and cilantro. Yesterday I ate leftover rolls and Cotswold cheese, a blood orange and a sliver of leftover coconut custard pie (It was a pie-for-breakfast day).

Painting of ingredients for improvised gumbo -- Davis pepper spray incident in background.

Mumbo Jumbo Gumbo. 12″ x 12″ gouache and watercolor pencil. Sharyn Dimmick

Ever since my younger brother moved home my mother has taken over most of the cooking — she seems to think that Bryan will starve without her intervention. I sometimes cook for Johnny: Friday I cooked him an impromptu gumbo, featuring andouille sausage, leftover shrimp, chicken and fennel, not unlike the Mumbo-Jumbo Gumbo I’ve written about before. Tonight I helped prepare a simple supper of spaghetti, grated cheese, Italian sausage-flavored Prego from the jar. I ate my pasta mixed with leftover sauteed bok choy. Mom fixed a bowl of fresh blackberries with sugar and, voila, c’est tout.

I am still buying bags of “cosmetically-challenged” Moro blood oranges from the Farmers’ Market and eating them out of hand as snacks. I still buy Farmers’ Market carrots, which are sweeter than supermarket ones. I still buy fresh walnuts in the shell — not much has changed, although last week I bought a few fresh sugar snap peas to snack on.

Original ink and watercolor painting shows people around breakfast table.

Second Breakfast at Vicki’s. 12″ x 12″ ink and watercolor pencil. Sharyn Dimmick.

Tomorrow I am taking a morning off my busking day job to attend a pre-dawn Morris Dance event in Tilden Park. I will assist my friend Vicki at the grand May Day breakfast after the sun has been danced into the sky (You last heard of Vicki when I mentioned attending the Hobbits’ Second Breakfast at her house). Perhaps I will bring back some food stories or recipes for May. You never know. Anything can happen.

What I completely forgot to mention in my March post because I was running around going to Natalie Goldberg‘s readings for her new book, The True Secret of Writing, is that I am featured in the book: the chapter on Practice contains a story about me, a snippet of my writing and the words to my song “The Wallflower Waltz.” Those of you who are interested in writing or meditation practice (which is the true secret of writing) will want to read this book. Natalie, of course, is best-known for her book Writing Down the Bones.

Dear Kale Chronicles’ Readers and Friends,

It has been a long time since I sent you an update, much less a painting or a recipe. As Christmas Eve turned to Christmas Day I was standing in the kitchen at my mother’s house, baking a last batch of Russian teacakes, a traditional holiday cookie for us, consisting of butter, finely chopped walnuts, powdered sugar and enough flour to hold it all together. I had bought fresh walnuts in the shell from the Berkeley Farmers’ Market on Saturday morning and shelled them earlier on Monday evening while listening to Christmas carols on public television. Unfortunately, I had not consulted the recipe for amounts and had shelled just 1/2 cup when I needed 3/4 cup: as soon as I looked at the cookbook I went back to shelling nuts and wielding my chef’s knife.

It was an all-cookie Christmas this year, supplemented only with batches of Betsy’s delicious Italian Glazed Almonds. I did not have funds available for purchasing gifts in 2012, so I made them, Cocoa Shortbread and Pfefferneusse, Smitten Kitchen’s maple butter cookies, thin Moravian ginger cookies. For several days I busked in the Berkeley BART station in the morning and baked in the afternoon and evening, preparing a silver tray of cookies for my friend Elaine’s Chanukah party, packing a waxed cardboard box with almonds for another. When I wasn’t baking I was borrowing a guitar from Fat Dog at Subway Guitars who kindly lent me a Johnson to play while my beloved Harmony went to the guitar doctor, who treated her for a couple of serious cracks, rehearsing with Johnny for a gig at Arlington Cafe in my home town or giving my annual Christmas music party for which I prepared butternut squash soup, Mexican corn soup, Swedish rye bread and Finnish cardamom bread.

I remember standing at the bread board chopping resinous walnuts, seeing the chopped nuts in the metal measuring cup, the knife blade against the wood, thinking “This is not so bad a way to spend the evening.” True, it was late and I was behind on Christmas preparations, but I focused on the pleasure that a fresh tin of powder-sugar dusted cookies would bring my mother, Johnny (they are his favorite) and my sister-in-law who threatened to kill Johnny on Christmas Day if he had eaten them all. As the knife flashed through the nut meats, as the butter and sugar whirled in the mixer, as I rolled the cookie dough into small balls in the quiet night kitchen I thought how lucky I am:

1) My mother and brother are healthy and here to celebrate Christmas with this year.

2) I have a pleasant and safe home to live in.

3) I have found someone to love who loves me back.

4) I, too, am healthy.

5) My lone guitar has been safely repaired

6) Johnny and I played a gig together in my hometown to generally favorable responses and both ended the evening in the black financially.

7) Friends came to hear us play.

8) My song about our courtship, “Clueless,” continues to be a runaway hit and fun to play.

Honestly, I can’t remember more of those midnight thoughts now. Suffice it to say that I thought of my patient readers who have put up with my long absence from the blogosphere.

Just in case anyone has not had enough cookies over the past month or has never made Russian teacakes at home, I’ll share the recipe with you, slightly modified from that presented in our Betty Crocker Picture Cookbook.

Russian Teacakes

Soften 1 cup (two sticks) of butter — I use one stick salted butter and one stick unsalted.

Shell and finely chop 3/4 cup fresh walnuts

Combine butter with 1/2 cup sifted confectioner’s sugar and 1 tsp vanilla extract in electric mixer until creamy.

Slowly add 2 and 1/4 cups sifted flour, about 1/2 cup at a time, incorporating flour completely before each addition.

Mix in chopped nuts.

Chill dough as necessary. If you work late at night in a cold kitchen you will not need this step (or want to wait for the dough to chill either). Before baking, preheat oven to 400.  Bake cookies for 10 to 12 minutes until some color shows on the bottom edges. Roll warm cookies carefully in powdered sugar — they are delicate and will develop mangy-looking spots where the butter comes through. Let cool and roll again, or sift or sprinkle more powdered sugar to cover each cookie. Store in airtight tins for up to a week or two. (Mom recommends providing other cookies for the family to eat if you want to keep Russian teacakes on hand very long).

Food notes: the fresher the walnuts, the better the cookie. ‘Nough said. If you live in the South you could try making them with local pecans. If you prefer to bake exclusively with unsalted butter you will want to add 1/4 tsp of salt to your sifted flour. I use unbleached flour in these. Mom likes all-purpose. I have never tried them with a whole-grain flour — part of their attraction is that they are snowy white and ethereal. We only eat them once a year….

Painting notes: The reign of the emperor’s new clothes is long. You’ll know I am painting again the day you see a new painting here. Also, it has been so long since I’ve taken a photo that I cannot find the charger for my camera battery. Oops.

Writing classes: I will be teaching a six-week writing practice group on Tuesday nights in the East Bay starting January 8, 2012. My teacher Natalie Goldberg developed writing practice as a way to help people get their real thoughts on paper. For more information, see my ad on craigslist.

Happy New Year to everybody! See you again in 2013. –Sharyn