Archives for posts with tag: food paintings

Friday I called my friend Margit to ask her something or other and she said, “Oh. I forgot to tell you — the pears are ready for picking.” She has a backyard tree.

After lunch I walked down the hill, borrowed a tall kitchen step stool and began to pick pears. Most were green (good pears ripen off the tree), a few were yellow. I took a large bag home and revised my plans for making a large Gravenstein apple pie for my ballad group on Saturday, deciding instead to make a Pear Tart Tatin. This time around I added a jigger of dark rum to the pears after I cut them and sprinkled a few grains of crushed cardamom over the pears and caramel before I laid on the crust.

Original watercolor shows pain perdu with carmelized pears on plate.

Pain Perdu with Pears. 6″ x 6″ Watercolor pencil on paper. Sharyn Dimmick.

When the tart tatin was in the oven I noticed that I still had rum in the pie plate where the pears had been. You know I hate to waste things, so I went fishing for the yellowest pears I had, the ones that would not keep another day. I peeled them, cut away the cores and stems and any brown, mushy spots. I plunked them into the rum. After I finished flipping the tart tatin onto a plate I poured the pears and rum into the cast iron skillet and set it in the still warm oven. I hoped the pears would start to cook from the residual heat and perhaps soak up some caramel flavor from the pan.

This morning I wrote and read and listened to music for awhile before breakfast, perhaps a bit too long. I knew I wanted coffee and I knew I needed to cook the pears, but what would I do with them? I didn’t want to take the time to make a pot of oatmeal. Ah. Pain perdu, “lost bread,” aka French toast. Because I was only feeding myself I took 1 long slice of sourdough sandwich bread, cut it in half and toasted it in the toaster oven. While it toasted I beat 1 egg in a shallow pan, added about 1 and 1/2 Tbsp of sugar and a splash of vanilla. I put the bread into the egg mixture, turning it over once.

Meanwhile I set the cast iron skillet on low heat. I heated the pears, rum and leftover caramel for a few minutes, then pushed the pears to the side to continue cooking and added just a smidgeon of butter, perhaps a teaspoon to prevent the bread from sticking. I turned the heat up to medium and cooked the bread on both sides before removing it to a plate and spooning the pears and caramel on top of it.

Food Notes: This made a lovely breakfast as is, but I could imagine adding some ricotta, quark or yogurt for the contrasting flavor.

Other Notes: The Lauren Project is cooking right along. Several people have submitted recipes to the contest. Some people have sent us more than one. But those of you who have not submitted anything yet still have some time: the contest deadline is August 31, 2012, 12 midnight, Pacific Time. After that, Lauren will review (and perhaps test cook) some of the recipes and we will begin awarding prizes. In case you have forgotten, or are new to this contest, the prizes will consist of one red chile pot holder, one signed seasonal cookbook with paintings by Sharyn Dimmick, one copy of Sharyn’s music CD “Paris,” and one Kale Chronicles’ painting of your choice. One prize per person, please. When Lauren chooses her first winner I will contact that person to ask which prize they want and then we will move to the second winner and so on until we are out of prizes. All persons in the USA or Canada who submit recipes will be eligible for free shipping on any Kale Chronicles painting they purchase through the end of 2012.

Original painting shows cherry plums, plum cake, plum caramel.

Plum Cake. 9″ x 12″ Gouache and Watercolor Pencil on Paper. Sharyn Dimmick.

Sometimes circumstances conspire to create an end. Today is my sister-in-law’s birthday and she is coming over to go out to lunch with my mother in Walnut Creek. Barbara likes plum cake. I had half a colander of fresh cherry plums on the counter and a jar of wild plum jam that I needed to use. I had just read David Lebovitz’s blogs on butterscotch sauce (which I am dying to make) and peach cobbler, plus a post on plum cake made with cornmeal from Two Peas and Their Pod. Barbara loves whipped cream. So what would I do? I would make the cornmeal-plum cake, adapting it a little to give it a more butterscotch-y flavor by substituting some evaporated cane juice for half a cup of the white sugar and I would use the jam to make some plum caramel to serve with the cake.

For the plum caramel, I followed a recipe from Chez Panisse Desserts, except, instead of cooking fresh plums, I just added plum jam (aka cooked plums) to the caramel base, cooked it for a few minutes and strained the results. You can make simple caramel by putting 1/2 cup of sugar in a saucepan with 2 Tbsp water and melting it over high heat, shaking the pan every now and then (do not stir). When it takes on a pale golden color, remove it from the heat and carefully add 1/4 cup water, not getting too close to the pan. You can stir now. If you are adding fruit puree to the caramel, add it now (this works with any berry or stone fruit), add it now and cook for a few minutes over medium heat. Strain out any solids or seeds that have slipped through, put your caramel in a clean jar in the fridge and you are good to go for later. Fruit caramel is less acidic and more complex than simple purees and is perhaps my favorite recipe I learned from this cookbook.

Now the cake. You can see the original here. Since cakes are not my favorite things I followed the recipe closely with just two substitutions (okay, three). First, I had medium eggs rather than large — they were organic and brown — so I threw in an extra one. Then, I had lots of cherry plums rather than the four or five large plums cited in the recipe. I already told you I put in 1/2 cup of evaporated cane juice for 1/2 cup of white sugar. Oops. Um. Four substitutions. I substituted a quarter cup of sour half and half for some of the buttermilk because, you know, we had it, and it is similar, but richer.

So, this is what you get when you put together all of those substitutions with the original recipe:

Barbara’s Birthday Plum Cake

Pit the cherry plums you are using (Or pit and chop larger plums into bite-sized pieces). Set aside.

Preheat oven to 350.

Measure 1 and 1/2 cups unbleached flour. After measuring sift it into a small mixing bowl.

Whisk into flour 1 tsp baking powder,

1/4 tsp cinnamon

1/8 tsp kosher salt

1/2 cup corn meal

Then soften 1 and 1/2 sticks of unsalted butter (12 Tbsp)

Cream butter with 1/2 cup granulated sugar and 1/2 cup evaporated cane juice until light and fluffy.

Add — one at a time — 4 medium eggs (or use three large), incorporating egg fully before next addition.

Measure 1/2 cup buttermilk (or 1/4 cup sour cream or sour half and half, plus 1/4 cup buttermilk, which is what I used).

Alternate flour mixture and buttermilk, in increments, starting and ending with flour.

Butter and flour a cake pan. I used a bundt pan because it looks festive.

Scrape half of the batter into the pan. Scatter plums over batter. Top with remaining batter.

Bake for fifty minutes. Test to see if it is done. In a bundt pan, my cake took one hour and five minutes to show some browning on the top and to pass the toothpick test.

Cool by hanging bundt pan on a glass bottle. This is fun. Trust me.

Serve with barely sweetened whipped cream and a pool or drizzle of plum caramel. If you are my sister-in-law, add more whipped cream. Enjoy.

Food Notes: Keeping to the art of substitution, you can use any sour thing for the buttermilk — yogurt, sour cream, creme fraiche, even sour milk. You can make the cake as originally suggested with all white sugar, or use all evaporated cane juice. You can probably use some other fruit for the plums, although the plums (with skins) provide a beautiful color and a nice tartness that plays well against the cake. The whipped cream provides yet another contrast (and besides, we like whipped cream when we are celebrating).

Watermelon pickle: I had a problem with the watermelon pickle — it wasn’t the recipe — it was me. so I’ll be trying it again with this week’s watermelon and report back on that later.

Yes, I am still here (I haven’t decamped for France again), but I thought you might enjoy a special tomato season treat, a guest post from my friend Deborah Sandler.

Deborah Sandler has enjoyed California’s bounty of fresh local food since arriving here in 1979, and swears never to live anywhere else because the food is so good.  She loves to cook and to feed people, and often tells her guests, “Nobody goes hungry at my house!” Deborah is a Farmer’s Market freak, often attending at least two a week, year round, rain or shine, on the lookout for whatever is in season and at its best.  Tomatoes are one of her favorite foods, and she shares one of her tomato recipes here.  When she isn’t cooking, she sings, and practices family law (while making sure to bring her office-mates lots of fresh food, because nobody goes hungry in her office either).

Original watercolor painting shows platter of tomatoes, olives, basil, feta cheese.

“My Somewhat Famous Tomato Platter.” (after Deborah Sandler). 8″ x 8″ Acquarelle on Paper. Sharyn Dimmick.

Tomatoes are finally in season!  I yearn for them during the winter, and sometimes am seduced into buying hothouse tomatoes that look lovely but do not have the texture or zing of the real thing.  When you bite into a tomato that has been locally grown, recently picked, and never refrigerated, the flavor is huge and unmistakeable.  When I was growing up on the East Coast, tomatoes came wrapped in plastic, colored a sickly pink, four to a package, all exactly the same size and shape, firm and tasteless.  I lived in the suburbs, and didn’t know anyone who was growing tomatoes, so it was quite rare that I got to taste a real tomato.  That changed once I moved to California.  Many of the restaurants featured amazing tomatoes in their salads, and friends actually grew some in their yards.  I had no idea a tomato could look, smell or taste like this!  In recent years, heirloom tomatoes have appeared all over the place, stunning in their profusion of shapes, colors and flavors.  Their names are poetic and whimsical – here are just a few examples from one web site that sells seeds for them, and from my  local Farmer’s Markets:  Arkansas Traveler, Banana Legs, Bloody Butcher (ew!), Cherokee Purple, Black Russian, Dingwall Scotty, Green Zebra (and yes, these have stripes), Halfmoon China, Hank (hey, that’s my dog’s name!), Jersey Devil, Berkeley Tie-Die, Brandywine, Mortgage Lifter, Mr. Stripey, Nebraska Wedding, Yellow Pear, and Stump of the World.

I live in Contra Costa County in the San Francisco Bay Area, about 30-45 minutes inland from the ocean and from San Francisco.  For those not in California, that means that the climate here is far different from that in San Francisco.  Where the City might be 62 degrees and foggy on a summer afternoon, here it may be over 100 degrees and sunny.  We get some of the San Francisco fog, but not much.  The down side is that our winters are colder, foggier, and danker than those in San Francisco.  We are only an hour from the Central Valley, which runs down through the center of the state, and where much of the nation’s produce is grown.  Even closer is Brentwood, a major agricultural area just to the east of us, that features plenty of U-Pick farms and orchards, as well as farm stands.  Because our local weather is so warm, plenty of people around here grow their own produce, and some even sell at the local Farmer’s Markets.  Here is a partial but by no means exhaustive list of Farmer’s Markets within 15-30 minutes of my house:  Martinez Sunday morning (I think this is now year-round), Martinez Thursday mornings, Concord Tuesday afternoons (year round), Concord Thursday evenings, Pleasant Hill, Lafayette, Moraga, Danville, Orinda, Walnut Creek Saturdays at The Shadelands and Sundays on Locust Street (more on these below), Martinez at the Contra Costa County Regional Medical Center, Walnut Creek Kaiser, Concord High School, and the list goes on.

My favorites are the Walnut Creek Saturday morning market at The Shadelands, and the Walnut Creek Sunday morning market on Locust Street.  Both are very large, with over 40 vendors,  and both are year-round.  The Saturday market is only a few years old but already bustling with happy patrons.  The Sunday market has been there over 20 years, and most of that time I’ve been there.  The vendors there have watched my kids grow up, and know me well as one of their regulars.  At The Shadelands, my favorite tomato vendor is Swank Farms, which has several tables strewn with all sorts of heirloom tomatoes every week.  At the Sunday market, I like Roseland Farms, where the seller has numerous flat boxes of heirlooms sorted by color.  He also is one of the very few vendors that sells San Marzano tomatoes, one of the world’s best cooking tomatoes.  These last weeks sitting out on the table, cook into very flavorful sauces and soups, or can be sliced into salads as firm yet flavorful dependable little oblong beauties.  Roseland Farms also has a big pile of cherry tomatoes of all kinds, and you can grab them by the handful or pick them out one by one.  The Shadelands market had a map with push pins, showing the location of each vendor, and how far away their farm is from the market site.  The average distance they come is only 89 miles.  The average distance food travels to our supermarkets is 1,500 miles.  The map had a sign on it reading, “Choose the food less traveled!”

Here is one of my favorite things to do with tomatoes.  This is my somewhat famous tomato platter.  Amounts are approximate.  I made this up, and it doesn’t have official amounts of anything.  Mess around with this as much as you want, and change it to your taste. The secret is the freshness of the ingredients.  And do not ever refrigerate tomatoes – it destroys their flavor!  Slice several heirloom tomatoes (as many colors as possible) onto a large platter in several layers.  You can make patterns of color or just do it randomly.  Chop up a handful or two of feta cheese and sprinkle that over the tomatoes.  Then sprinkle a generous handful or two of olives over that.  Lately I use mixed Greek olives from Whole Foods, and I recommend you not use olives from a jar – get fresh ones from an olive bar if you can.  If you have fresh heirloom cherry tomatoes in several varieties, sprinkle a handful of those over the top. Then chop up a generous handful or two of fresh basil leaves and sprinkle that over the top and around the platter.  The vinaigrette I use is homemade, and is quite tart, so you may want to try it separately before using it here, to adjust for taste if you want. This reverses the usual proportions in a vinaigrette, and has 2 parts vinegar to 1 part oil.  1-1/2 T best quality olive oil, 3 T red or white wine vinegar, 10-15 shakes of salt, 10-15 grinds of fresh ground pepper or 3 or 4 shakes of coarse ground black pepper, 2 or 3 shakes of granulated garlic, 2 or 3 shakes of dried mustard. Mix thoroughly and pour over the tomato platter, serve immediately.

Warning: this post may contain an embedded rant or two.

In the kitchen this morning, I have two large dry crusts of French bread, three eggs and several heads of baby romaine lettuce from the farm box. This late spring day appears to be one of the warm variety. I don’t know if these ingredients suggest anything to you: to me they suggest Caesar Salad.

My mama told me that Caesar Salad contains anchovies in the dressing. Cursory internet research suggests that Cesare Cardini used Worchestershire sauce rather than anchovies. I don’t even like anchovies, but I was taught to chop them finely and put them in the dressing for a Caesar Salad, so I do. I would not eat them on pizza. I would not snack on them out of the tin. I have never dared to make a pasta puttanesca because of the anchovies in it, but I keep anchovies in a jar of olive oil just so that I can make this salad when the mood strikes or when the ingredients are sitting around in the kitchen.

Furthermore, I do not care for any egg preparation that involves soft egg yolks — or hard egg yolks, for that matter. That leaves out poached eggs, fried eggs, eggs sunny side up, deviled eggs, hard-boiled eggs and Easter eggs. But I make an exception for Caesar Salad dressing, which calls for a coddled egg, cooked for one minute before you mix it with the other dressing ingredients.

Painting shows Caesar Salad and ingredients.

Caesar Salad. 8″ x 8″ Gouache and Watercolor Pencil. Sharyn Dimmick.

The salad that makes me set aside my food aversions is truly magical. You put in anchovies and barely cooked egg yolk, garlic, olive oil and lemon juice, black pepper. You toss the dressing with croutons, Romaine leaves and freshly grated Parmesan cheese and you have a crunchy, green refreshing salad with adequate protein from fish, egg and cheese. There is no need to add shrimp or grilled chicken to this salad as many American restaurants do.

First, make garlic-infused olive oil. Heat some garlic cloves in olive oil and allow the garlic and oil to sit while you do other things. While you are at it, halve a raw clove of garlic and rub it onto your wooden salad bowl. If you like raw garlic, set aside a couple of cloves to squeeze into the salad, or pound them in a mortar or mince them with a knife. I actually like minced or pressed raw garlic better than the more subtle garlic oil.

Then make croutons. Chop your leftover French bread into cubes. We like to use stale sourdough. You can saute them in a little of your garlic oil, or you can toss them with some of it and bake them in your oven for a few minutes at 300 degrees. I usually bake my croutons. Sometimes I just bake sourdough bread without any oil: the croutons will absorb dressing from the salad anyway.

Then wash your romaine lettuce and dry it thoroughly in a dish towel or a salad spinner.Tear into bite-sized pieces unless you particularly enjoy the exercise of cutting lettuce with your fork. Place lettuce in your garlic-rubbed salad bowl.

Take two or three anchovies from a tin and mince them finely — no one wants a big bite of anchovy in this salad — we just want the flavor. Set them aside for now.

Grate some Parmesan cheese. 1/4 cup will do in a pinch, but you might want to use more to get the snow drift effect.

Halve one lemon and get ready to squeeze it.

Dress your lettuce with a small amount of garlic olive oil. Add minced garlic if using.

Now coddle an egg: boil it for one minute only. Remove it from the pot. Crack it right into your salad bowl and toss with the lettuce.

Add the minced anchovies and toss again.

Squeeze lemon directly onto the salad. Toss again.

Add croutons and grated Parmesan. Toss again.

Grind some fresh black pepper over the salad. Toss again.

Taste and adjust seasonings.

Food notes: If you can’t stand handling anchovies, you could try using anchovy paste in a tube. I have never used it. Please do coddle the egg and use it in the dressing: the slightly-cooked egg, anchovies and lemon are what creates the distinctive Caesar dressing. You cannot get the proper effect without the egg. You cannot get the proper effect without some form of anchovies — if you are afraid of them, try using a little less — start with one anchovy if you are squeamish and work your way up. You cannot skip the cheese either, or the croutons — if you do, you have not made a Caesar salad, but some other kind of romaine salad. You cannot make a vegan Caesar — don’t even try. If you are a vegan, find some other way to eat your romaine. You cannot make a kale Caesar either: by definition, Caesar salad is made of romaine lettuce. Got it? You have latitude with the garlic, the oil, and the croutons and the amount of anchovy you use. For the Parmesan, you need to get the good stuff and grate it yourself: this is not the time to use stale, pre-grated cheese or the stuff in the green can: when you are only using a few ingredients, they need to be the freshest and finest you can get. That chicken and shrimp? Save them for another entree or cook and serve them on the side, please. Once you try the real Caesar salad, you will love it or hate it, but at least you will know what it is, that you have tried Caesar salad and not one of the many abominations that blacken and borrow its name.

If you’ve made it through the rant, you may notice that I put no salt in the dressing: both anchovies and cheese pack a lot of salt and I don’t miss it. But I did say you could adjust seasonings: that is code for add lemon, salt, pepper, garlic or cheese to taste. Enjoy. And if you experience any revelations after making proper Caesar salad, please come back to testify in the Comments section.

It is cherry season in California. For a few short weeks in May or June fresh cherries appear at the Farmers’ Market in Berkeley. First there are Brooks, then Burlats. Later there are Bing cherries. I eat them all. Mostly, I eat them fresh, for a snack. Lately I have been sneaking them into my morning cereal: my current favorite concoction involves 1/3 cup blue cornmeal cooked in 1 cup of milk with a bit of salt, a small handful of raw almonds pounded in a mortar, a handful of stoned cherries and a couple teaspoons of shredded coconut. This is also good with rolled oats — if you use oats, use 1/2 cup.

Do any of you have binders full of recipes that you have clipped from the food sections of local newspapers? Do you have a lot of recipes you haven’t actually cooked? Me, too. Sometimes I try one and toss it out with a “What were they thinking?” gesture. Sometimes I learn something. Sometimes I just store them, loosely organized by main ingredient, in a huge binder that takes two hands to lift off the shelf, but I know they are there waiting for “someday” when I’ll cook them.

Cherry Focaccia with Chocolate.

One such recipe was Ed Murrieta’s recipe for cherry focaccia. A Google search for the original publication date in the Contra Costa Times informed me that I have been saving this recipe since June 7, 2004. I saved it because it has an irresistible photo of a golden brown round focaccia, dimpled with cherries, cut into wedges, with a pile of fresh cherries in the center. It looks so pretty that I wanted to make it “someday.”

Well, folks, today was someday. I made a trip on the bus to the Farmers’ Market yesterday to buy more basil for more pesto and to buy cherries for this bread. Insert disclaimers here. One, I don’t generally like focaccia — it is too thick, too bland, with the wrong ratio of toppings to crust: I think of it as failed pizza. Two, I think chocolate-covered cherries are revolting. My Grandmother liked them: nasty, sickly cherries in too sweet milk chocolate. And cherry cordials, worse, if possible: bad chocolate filled with wet cherry filling that squirts you when you bite into it. Yuck. Three, my favorite cherry recipes involve sour cherries, either canned or dried, since fresh sour cherries are hard to come by in this part of the world. Four, I can’t stand anything cherry-flavored: cherry flavor reminds me of medicine. This includes cherry Starbursts (why, oh why?). The only exception I can think of is Royal Crown Sour Cherry candy — do they still make it anymore?

But this cherry focaccia was calling my name. First of all, it is a filled focaccia: you make two circles of dough. You put fresh, pitted cherries on top of the first circle, sprinkle it with chopped bittersweet chocolate, and put the second circle on top. Then you push more cherries into the top layer and sprinkle it with raw sugar before it goes into the oven. Plus, you need a starter to make this and I keep a jar of sourdough starter in my refrigerator at all times. I fed the starter yesterday and let it sit out on the counter while I went to the market and bought cherries.

I wanted to send you to Ed Murrieta for the original recipe, but when I Googled him the first thing I found was an article about how his entrepreneurial business had failed, leaving him to live on food stamps. Then I found some recipes including marijuana. Wherever he is now and whatever he is doing I wish him well and thank him for this gorgeous focaccia recipe. I could send you to the newspaper site, but they seem to want you to activate a free trial subscription to let you read the recipe. What can I do? I can rewrite the recipe — I did make a couple of changes.

Here’s the bad kitty confession. Murrieta’s recipe calls for bread flour. In my heyday when I had a regular job and regular paychecks I would have gone out and bought bread flour. I would have insisted on bread flour. Now I am not so proud or so picky: I use what we have on hand. I am an experienced baker and can handle sticky doughs and doughs behaving badly. So I will tell you that Ed Murrieta called for 2 and 3/4 cups of bread flour, plus additional flour on the board during the kneading and shaping phases. I winged it with unbleached flour and some whole wheat flour to give it a more rustic quality. I’ll show you.

Murrieta called for a starter made  of 1/2 tsp dry yeast, 2/3 cup of water and 1 cup of bread flour. You mix this up in a glass jar with a wooden spoon, cover it with cloth and let it ferment on the counter for at least twelve hours (and up to 36). I skipped this, and just added 2/3 cup of my sourdough starter to the dough. If you already have a starter, you are good to go. If you want an official sourdough starter recipe, go here.

Focaccia stuffed with fresh cherries and chocolate.

Cherry Focacccia. 8″ x 8″ gouache on paper. Sharyn DImmick.

Fresh Cherry Focaccia with Chocolate

Make the dough first. You can pit cherries and chop chocolate while the dough rises. You can even go to the store for cherries and chocolate while the dough rises if you don’t go on the once-every-forty-five-minutes bus.

Dissolve 1 and 1/2 tsp yeast in 1 cup warm water.

While the yeast proofs, stir together in a large bowl 2 and 3/4 cups bread flour, 3 Tbsp sugar and 1 tsp kosher salt. If you do not have bread flour and are intrepid, start with 1/2 cup whole wheat flour and 3 and 1/4 cups unbleached flour (You will have to add more).

Make a well in the center of your dry ingredients. Add proofed yeast, 2/3 cup sourdough starter (or Ed’s starter, above), 1 cup lukewarm water and 3 Tbsp olive oil. Mix with wooden spoon until a light dough forms. If your dough is more of a batter than a dough, add flour 1/4 cup at a time.

Flour a bread board or other work surface and keep the flour handy! You might want to make sure your flour bin is at least half-full. Turn out the dough onto the board and attempt to knead it. If it sticks to the board badly, knead in more flour, dust more flour on the board, pry it up and try again. Eventually, you will work enough flour into the dough that it resembles roll dough and is smooth and uniform in appearance. If you are smart, you will oil the bowl before you put the dough back in it to rise. Cover the dough with a damp tea towel and let it rise until double — 1 and 1/2 to two hours.

Now, go away and amuse yourself or clean your counters and put away your ingredients except the flour — you are not done with that. Before the dough is risen you will need to pit 2 cups (one pound) of cherries and chop four ounces of chocolate. I used a 70% Lindt bar that had cherries and chili in it.

When your dough is risen, put it on your floured board and let it rest for five minutes. You can use this time to oil a pizza pan or baking sheet.

Divide dough into two equal portions. Ignore one while you flatten, dimple and pull the other into a ten inch circle. See pizza-pulling instructions here. (Murrieta rolls out his). Transfer first portion to oiled pan. Spread 3/4 of your cherries on it and top with chopped chocolate. Flatten, dimple and pull the second circle into shape and place it on top of cherry-chocolate filling. Pinch the edges to seal the dough. Then decorate the top with the rest of the cherries, pushing them cut-side down into the dough at attractive intervals. Let the dough rest for thirty minutes while you preheat your oven to 400 and do a round of clean-up. Just before you put the focaccia in the oven sprinkle it with raw sugar.

Close-up photo of Cherry Focaccia.

Cherry Focaccia Close-up. Photo by Sharyn Dimmick.

Bake for forty-five minutes or until top and bottom are browned to your liking. Murrieta says to let the focaccia cool and then cut it into wedges. Ha, ha, ha, ha, ha. I let it cool for approximately five minutes and then cut a small wedge, which I ate standing at the cutting board. Then I reached for the knife again, which was smeared with melted chocolate. I ate the second piece standing in front of the board. Then I cut a much smaller wedge. Then I stepped away from the cutting board, drank a glass of milk and made tea, which I took upstairs so that I did not stay in the kitchen eating focaccia.

It was that good. It was sort of like someone had taken my two favorite things, crusty bread and pie, and magicked them into a single entity. Crusty, gooey, chocolatey, not too sweet, with a fresh cherry taste on top.

Cherry season is short. If you like bread and pie, make this now. Now. And invite some friends over if you don’t want to stay in your kitchen eating the whole thing. You could just call it cherry Kryptonite.

Food notes. This recipe is perfect as is, once you get the flour right. But it is ripe for variations. Try other kinds of chocolate and other kinds of fruit: fresh figs? And then branch out and use almond paste or ricotta filling with cherries or peaches or blueberries. Yum.

On Saturday my friend Margit and I walked through the Berkeley Farmers’ Market. I had been the week before and bought my first Brooks cherries of the year, walnuts in the shell, brown mushrooms. Stone fruit is beginning to come in: I saw apricots and bought a couple of baskets of cherries from Kaki Farms. Strawberries continue strong. Blueberries are here. Some vendors had bins of summer squash and the first beautiful broccoli was beginning to peep its heads out of baskets. But the thing that made me happiest was the bunch of basil I bought for two dollars.

Ah, basil. I didn’t even like the stuff when I was a child: it was just another mysterious seasoning in a Spice Island jar, dried and weird. It didn’t remind you of turkey stuffing like sage or pizza like oregano. Fresh basil was not seen or smelt at my house.

painting shows mortal and pestle, basil, basket of walnuts.

Making Pesto. 8″ x 8″ Gouache and Watercolor Pencil, Sharyn Dimmick.

All that has changed now. All late spring, summer and early fall, I buy basil by the bunch and set it like a bouquet in a glass of water on the kitchen counter next to the olive oil. I chiffonade it over green beans and steam them, tuck it into ears of corn before roasting them, add it to Greek salads, put it in turkey meatloaf or burgers. It is probably the herb I use most during the summer. Today and many other days will find me sitting at the breakfast room table, pounding torn basil leaves, salt, garlic, walnuts and grated cheese in my large Vietnamese mortar with a little olive oil.

Did I say walnuts? I did. Classic pesto is made with pine nuts. I have nothing against pine nuts except the cost. If I lived in New Mexico or Italy I might make pesto with pine nuts. Since I live in California I make it with walnuts and have come to love the combination of bitter and sweet freshly cracked nuts with pounded basil leaves and garlic (I also use walnuts to make a cilantro pesto, flavored with lime).

The first pesto I tasted was served in a restaurant (I no longer remember which one). When I lived in San Francisco I used to buy little plastic tubs of Armanino pesto. Then for awhile I made my own in a blender, until my friend Leila mentioned that pounded pesto had a superior texture. Because our blender is old and cranky I was spending lots of time mincing basil and garlic before feeding its maw and I decided to get a mortar and pestle.

My friend Elaine and I went mortar hunting in Oakland Chinatown and I brought back not one mortar, but two: I have a small marble mortar that I use to crush spices and small amounts of nuts and I have my big wooden Vietnamese mortar for pesto duty each summer.

I start in the kitchen, smashing garlic cloves with the side of a knife and peeling the skins away. The garlic goes directly into the mortar and gets a sprinkle of kosher salt, which helps the pestle break down the garlic fibers. Then I take a utility bowl, my basil bouquet and the big mortar and pestle into the breakfast room. I inhale the spicy green scent of the basil as I pick leaves, discard stems, and tear each leaf into smaller pieces. I pick and tear for awhile, then I pound for awhile, then pick and tear another layer of leaves. The aroma gets richer. When I have torn and pounded every last leaf I take the basket of walnuts and nutcracker from the sideboard and start cracking and shelling. There is no measuring involved: the pesto comes together and is done when its taste and texture suits me — the size of the bunch of basil is the determining factor: I will add enough other ingredients to blend with it, to complement it, but the basil is the star, so I start with garlic and salt, add all the basil, then add walnuts. The last step is grating Parmesan or pecorino with my microplane and stirring in a little olive oil.

If I need a break while I am pounding basil I will pour a little olive oil over the top. This helps keep the color bright. I do not care for oily pesto and have a light hand with the oil: I am not too fussy about whether the final product is bright green: I know it will be delicious and we are going to eat every spoonful and scrape the jar besides.

I never get tired of pesto. When the basil really gets going in mid-summer I try to make enough of it to freeze to last all year. I am never successful because if I have fresh pesto on hand I want to eat it on pasta, on sandwiches, in salad dressing, on green beans, on broccoli, on broiled portobello mushrooms, dolloped on the top of a pizza just out of the oven, or added to a winter vegetable soup. Every year I manage to freeze a few small jars or a bag of pesto cubes made in an ice cube tray, but I am dipping into my stash practically as soon as basil disappears from the Farmer’s Market. At the same time, I have days when I wonder why I have bought yet another bunch (or two, if they are on sale), condemning myself to a few more hours of sitting at the table, pounding away when I could be walking or swimming or reading or whatever else it is that people do on long summer days, instead of inhaling basil fumes and oil of walnut rising from warm wood.

We ate our pesto with whole wheat rotini, fresh sugar snap peas and some roasted red peppers from a jar.

Food notes: You can, of course, make pesto with any fresh  leafy herb and any nut. Some people use seeds instead — pumpkin seeds, sunflower seeds. Margit is allergic to walnuts and pecans so she can make hers with almonds. Elaine has used Brazil nuts successfully. Pine nuts are delicious. You can make pesto from arugula or from soaked sundried tomatoes. Some people make it with spinach or kale. You can mix herbs, too: basil, cilantro and mint is nice, or arugula and mint. You can make it in a blender or a food processor if you have one.

Blogging notes: Susie of SusArtandFood very kindly nominated me for another blogging award, the illuminating blogger award. I love it when people read The Kale Chronicles and I love it when they like it and I really like it when they find something useful here for themselves. What I don’t like is posting blog award patches on my site — I don’t think they look nice. And while I’m happy to let you know what blogs I enjoy reading I am not much good at making lists of them on the spot: I do have lists of links, although I probably should update them — perhaps at my one-year anniversary. You will find more details about me and my life in the posts than you perhaps want so I don’t think you need to know that my favorite color is green or that my favorite ice cream is coffee ice cream. My emphasis is seasonal home-cooked food. I’m quite happy when you read and comment on The Kale Chronicles and I do my best to respond to every comment I receive. Thank you all.

May’s Daring Bakers’ Challenge was pretty twisted – Ruth from The Crafts of Mommyhood challenged us to make challah! Using recipes from all over, and tips from “A Taste of Challah,” by Tamar Ansh, she encouraged us to bake beautifully braided breads. Although I have made pretty challah many times, I was tired this morning. I have recently undertaken a vigorous exercise program, involving walking up hills at the crack of dawn. Yesterday I followed that walk and subsequent breakfast with a walk through the Berkeley Farmers’ Market, and Andronico’s grocery store, came home to put away the groceries and construct a Caesar salad with kale (note to self: leave the kale out of Caesar salads — remember those tests asking “Which one does not belong?” Can you spell k-a-l-e? It was a noble effort).

Despite taking a day off of hill-walking, I dragged myself to the grocery store (on foot) because I needed milk to make challah, Mom had grossly underestimated our milk supply and I didn’t want to use canned milk or buttermilk sweetened with soda. When I got back to the kitchen the dishwasher was on the dry cycle and I unloaded that.

photo of misshapen loaf of Challah bread

Trolls’ Challah.

Only then could I begin the business of making challah: scalding milk and beating eggs, sifting flour, proofing yeast. I briefly considered embellishments: candied orange peel sounded good, but I have not yet candied my annual supply of citrus peel — the peels are sitting in the freezer, awaiting the day when I feel like doing it. I thought of making some kind of cinnamon glaze, but then I considered how tired I was and the kind of day I was having and decided to make plain old challah, the eggy, braided bread. I would use the recipe from our old Betty Crocker Picture Cookbook because I have used it before and was in no mood to mess around. Plain challah is the most versatile flavor: it can become French toast or bread pudding or croutons and will work for both sweet and savory sandwiches.

Rather than tell you what I did or what the cookbook says to do I will tell you a better way.

Film a saucepan with water.

Add 1 and 1/2 cups milk.

Set on medium heat until scalded (You’ll see small bubbles at the edges and a faint wrinkled skin on top of the milk).

Remove from heat.

In the measuring cup the milk has recently vacated mix 1/2 cup warm water and 4 and 1/2 tsp active dry yeast (2 packets). Whisk together with a fork.

Now measure 3 cups sifted unbleached flour into a large mixing bowl.

Add 1/2 cup whole wheat flour.

Add to cooling milk 1/4 cup butter (half a stick), 1/4 cup sugar and a teaspoon of kosher salt.

When the milk mixture is lukewarm, pour it into your bowl of flour and stir. Add the proofed yeast.

Beat 3 eggs until smooth in your much-used liquid measuring cup. Add to dough mixture.

Now begin adding more sifted flour, most likely about 3 cups plus.

painting shows misshapen loaf of Challah, eggs and butter.

Troll Challah. 8″ x 8″ Gouache on Paper. Sharyn Dimmick.

The Betty Crocker recipe calls for 7 to 7 and 1/2 cups total sifted flour. You have now used half of that. When I got to this stage I sifted the additional flour 1 cup at a time, adding it to the dough in quarter cup increments. Today, cold and overcast, the dough took a total of 6 and 3/4 cups flour, including the half cup of whole wheat. Although I sometimes knead light doughs by hand, I used my Kitchen Aid for the mixing and basic kneading because challah calls for a large amount of flour. When the dough was smooth and elastic and pulled away from the sides of the bowl I transferred it briefly to a lightly-floured board to rest while I buttered the mixing bowl, preheated the oven to warm and heated a damp linen towel for twenty seconds in the microwave. I gave the dough a couple of quick turns and deposited it in the buttered bowl, covered the dough, turned off the oven and set the bread to rise.

Then I gratefully escaped upstairs for an hour and lay on my bed reading my copy of The Sun, the only magazine I subscribe to. After an hour I rose reluctantly to check the dough which had risen enthusiastically and begun gluing itself to the tea towel.

Prying the dough strands away with my fingernails, I deflated the challah dough and set it for its second rise. I glanced at the clock to determine that it would probably be ready for braiding just as I was ready to eat lunch.

The thing about being tired when you are a scratch cook and stock mostly raw ingredients is that there are no quick and easy lunches unless you have previously made the components. We swing from fresh-prepared meals to meals from leftovers in a regular rotation. I grabbed the nearest carrot and a handful of fresh cherries and put on a kettle for tea. The quickest sandwich I could come up with was cashew butter on store-bought raisin bread toast. True to form the tea was steeping, the toast was toasted and I had just spread the cashew butter on the warm bread when the challah once again threatened to overflow its mixing bowl.

Mom had come down for tea.”I have to braid the challah right now,” I told her and watched as she proceeded to cover the bread board I needed with lettuce and mayo for a cottage cheese salad. She finished, wiped the board cursorily and shoved it back in. I no sooner dried it and gave it a light dusting of flour when she came back and said, “I just need to get in here one more time.”

“What do you need?” I asked.

“Paprika” she answered, reaching for it.

While my toast cooled, although I shoved it back in the toaster oven, I braided the challah into three strands, tucking the ends under. I thought the braid was too long, so I double the loaf back on itself, giving it a double-braided look in the center, re-tucking the ends. I slathered a baking sheet with butter and cranked up the oven to 425 while I rummaged in the freezer for sesame seeds. I found white poppy seeds first. Fine. That would do. As an afterthought, the freezer spit four or five packages onto the floor.

I beat my last egg in the same old measuring cup, brushed it on the challah, dropped some poppy seeds on top and put it in the waiting oven, escaping upstairs with my toast and cherries. Mom turned on a program about the Buddha while I drank my tea (irony of ironies) and thought about how un-Buddha-like it is to snap at my mother. As she poured tea for herself, the lid came off the tea pot and tea fell on her robe. She was not hurt.

I carried the tea tray back to the kitchen to check the challah, In its fervor the yeast had risen magnificently but unevenly, bursting out in bulges, stretching the dough at the braid seams. In short, this was challah fashioned by trolls — it wouldn’t win any beauty contests. (No disrespect to any trolls lurking about).

photo shows cut end of Challah loaf to show crumb and color.

Troll Challah — crumb shot.

After letting it cool, I cut the end from the monster challah. I brought my Mom the coveted end slice and took a slice for myself. The bread showed its trademark yellow crumb and brown shiny crust, releasing its lightly sweet flavor in the teeth and jaws of the local troll population.

Food notes: the half cup of whole wheat flour improves the nutritive value of the bread without altering the characteristic pale yellow interior. I could see the wheat specks like tiny freckles in the raw dough, but all trace of brown disappears in the baked bread. You can, of course, make whole wheat challah, instead, but you will have to adjust the amount of flour used and knead it for at least twenty minutes to achieve any lightness. If you want pretty challah, strive to make your dough strands relatively short and entirely even, braiding with care and symmetry, just as you would braid your prettiest daughter’s hair.

In other news, even trolls, churls and snapping daughters sometimes receive blogging award nominations. More on this on Wednesday…

“Spring green” is a common phrase and color name. The spring in California is rich with greens: before we get to the reds, blues and yellows of summer we have pea green, asparagus green, artichoke green. And in the farm box we have beet greens, Swiss chard, kale, green garlic, spring onions, lettuce,  bok choy and peas. It is little wonder I was drinking my greens recently, shoving some spinach into a smoothie to make way for new rounds of greens.

Painting shows calzones on pizza pan and ingredients.

Green Calzones. 8″ x 8″ Gouache on paper. Sharyn Dimmick.

I have made pizza for many years and somehow never made the leap to calzones. The dough is the same, the famous Cheese Bread sourdough recipe made with a cupful of whole wheat flour. The technique for shaping calzones is the same: you begin with eight small disks instead of three larger ones and go through the dimpling and pulling process.

I might have gone another few years without making calzones, except that Betsy’s recipe for calzones caught my eye and lingered in my imagination. Betsy made hers with fresh kale. I made mine with leftover cooked chard. I followed Betsy’s guidelines for the cup of feta and the 1/4 cup of dry cheese, but I used pecorino Romano where she used Parmesan.

Most of you know the drill for sourdough by now: if you want sourdough pizza, bread, waffles or biscuits you have to make up a sourdough starter. You need to feed it occasionally, but if you use it once a week or more it doesn’t take much care and feeding. I fed my starter yesterday morning with a half cup of water and a half cup of unbleached flour, shook it a few times and left it out on the counter. Come afternoon I came back and made pizza dough with a half cup of starter, 2 and 1/4 cups flour, 1 cup whole wheat flour and a generous teaspoon of kosher salt. Read the gory details here.

This morning I took my pizza dough out of the fridge at eight. At 10:22 I removed its dish towel, formed the dough into eight small rounds, floured the damp towel and let the dough sit while I made filling. I also put my pizza stone in the oven and cranked the heat up to 450, deploying three racks: one for the pizza stone, two for the trays of calzones.

First step: dump cooked chard from frying pan into pizza dough bowl (Why do more dishes than you have to?). Heat same frying pan over medium heat while you slice the white of a small leek and the shoots of some green garlic, wipe 3/4 of a pound of mushrooms with a clean damp cloth and slice them. Add olive oil to the skillet and saute your leeks and garlic while you continue to slice mushrooms. Add leeks and garlic to chard. Saute mushrooms in two batches, adding oil as necessary. While you have the oil out, lightly oil two pizza pans. Add sauteed mushrooms to chard, leeks and garlic. Crumble 1 cup of feta into the vegetables. Use microplane to grate 1/4 cup dry cheese over top. Grate some nutmeg to taste and add a sprinkle of red pepper flakes.

At this point, the faint-hearted or fanatically germ-phobic might give this mixture a stir, but I like to work with my hands, so I plunged my hands into the bowl and mixed. Then I washed and dried my hands before turning to the dough.

Using the dimpling and stretching techniques detailed in the pizza post I made my eight disks into eight five-inch circles, one at a time, so that I could fill and fold each calzone before making the next one. Again, I used my hands to scoop filling onto half of each calzone, but the fastidious may use a spoon and the precise may use a scoop or measuring cup, but you will need to use your hands to fold the crust over the filling and seal the edges.

Once your calzones are filled, folded and sealed, give each one slash with a sharp knife to allow steam to escape. I use a stainless steel steak knife. If you keep a clean razor in your kitchen that will work, too.

I put one tray of calzones in while I filled the others. When the second batch was filled and folded I switched the first tray to a higher rack and started the second one on the middle rack. In ten minutes, I switched them again. We like things toasty and brown so the first tray was probably in the oven about thirty minutes. When I took the first tray out I turned off the oven and let the second tray finish cooking from the residual heat of the oven and the pizza stone.

By the way, I did not make the dough green. It is not St. Patrick’s Day. If you eat your spring greens you will see plenty of that color.

Food Notes: Betsy serves her calzones with marinara, which I’m sure is good. We ate ours plain to get maximum crust effects. Variations are legion: you can use any cheese you like, although the combination of a creamy one and a dry one produces a nice texture and flavor without a grease factor. If I could only have two cheeses for cooking they would be feta and Parmesan so Betsy’s choice worked for me, but you could use goat cheese and dry Jack or ricotta and Asiago. If you won’t eat or drink your greens, stick to mushrooms or pile in some meat. I badly wanted to add some roasted red peppers, but I didn’t want the mixture to be too wet, and I would have added sun-dried tomatoes if I hadn’t eaten them all by March. The same dough that makes crisp thin crust pizza transforms into a breadier dough you can hold in your hand when stuffed in this manner. Enjoy.

Blog Notes: Twice in the last week kind persons have nominated me for the Liebster Blog Award, an award for blogs with under 200 subscribers. While “The Kale Chronicles” fits that size, it has been previously nominated more than once. Because it can be difficult to establish how large or small a blog is, I will merely encourage you to visit the folks who nominated me, Peri’s Spice Ladle (Indian specialties) and artratcafe. (original art and occasional wonderfully illustrated posts of food descriptions from literature). I will further encourage you to visit Susartandfood. (I go for the stories).

Maybe it was walking up hills for three days, which rendered me tired and lowered my resistance. Maybe it was reading the second installment of Jackie’s “What I Ate Last Week” at Marin Mama Cooks (It is fun to know the details of another person’s life and table). Maybe it was this hilarious account of food aversions called “Ten Gastric Ways of Making Me Talk.

It was lunch time. I was hungry. And on the way downstairs I decided to make my first green smoothie.

Some of you are saying “Oh no!” and thinking about cancelling your subscriptions. “She isn’t…” She’s gone too far.” “This is not going to make me love local, seasonal food.” “Run for the barf bag.” “Shh. You can’t say that on a food blog.”

painting of blender, fruit, spinach and the resulting green smoothie in a glass.

Green Smoothie. Sharyn Dimmick. 8″ x 8″ Gouache and Watercolor Pencil.

I had read about green smoothies. I had promised myself I would try one once when I had some strong-flavored ingredients on hand to offset the spinach.

In the refrigerator was a small bowl of fruit salad, that bowl that sits for days while you each wait for the other person to eat it: “Maybe she’ll eat it tomorrow….” And that fruit salad was made of fresh pineapple, organic strawberries rescued from the bargain bin and a few tangerines. Plus, I had a mango on the counter from our last visit to Grocery Outlet and I had a quarter of a bag of the fresh spinach that came last week. Green smoothie time.

I chucked the bowl of fruit salad into the blender with all of its juices. I cut open the mango, sliced and scored it, turning it inside out to release the mango cubes from the skin.

How much spinach? You didn’t think I was going to use a recipe, did you, or consult one? My guideline was not so much that it would be disgusting or overpower all of the other ingredients. Stripping off any thick stems I put in a small handful of leaves, maybe half a cup.

The blender whirred. When it was no longer chopping anything I got out a glass and poured a test taste.

First of all, it wasn’t green. It was orange- yellow with a green undertone and it was too thick to drink easily. But it didn’t taste bad at all.

Okay. Thinning. What was I going to use? I don’t like super cold drinks so ice was out. I have some indifferent raspberry sorbet in the freezer. Don’t need the sugar. Ah, yogurt — plain yogurt and more spinach.

I added two dollops of plain yogurt and another small handful of spinach, concentrating on the smallest leaves. The blender whirred it around again.

This time it was the color of an avocado face mask, the color of split pea soup. It was green. I poured it into the glass and tasted cautiously.

It did not taste like spinach. It still tasted faintly of mango and strawberries, more sweet than vegetal, with a tang from the yogurt. If I had had them, I would have added more strawberries, frozen raspberries or blueberries, or more pineapple. It was fine without them.

Since I don’t usually drink my lunch I wanted something to chew on (Where are the bar snacks?). I toasted a piece of sourdough bread to satisfy my teeth and jaws.

Should you make a green smoothie? I don’t know. Do you like wheat grass and other green things? Do you have a juicer, which will widen the ingredients you can put in it? Is it hot where you live and too late to cook lunch? Do you need to use a mango, some fresh spinach and some berries today? Do you have an appetite for all things new? Are you willing to try to drink your veggies because you refuse to eat them? Answering yes to any of those questions may predispose you to make a green smoothie at least once. I did it and lived to tell the tale.

Painting shows tea service on linen cloth in dining room.

Elegance. 6″ x 6″ Goauche and Watercolor Pencil. Sharyn Dimmick.

My friend Suzanne requested that I take on this topic, an essay on ease, elegance and economy. The story is that my mother was reading a book from the library, name and author now forgotten, on housekeeping (which activity Mom has never cared for) and the author stated that of the three desirable qualities, ease, elegance and economy, one could only have two of the three. The formula plays out something like this: if you are rich, with endless resources, you can buy elegance and ease. You can have servants to do all tasks you find unpleasant. You can buy the best of ingredients and have them served up on the finest china. You can even hire a chef or a cook to cook your meals for you: if you hire a good one, well-trained, with a fine palate and endless patience and high-dexterity, you can serve vol au vent and pastry swans filled with creme chantilly or whatever your elegant little heart desires.

If you are not rich, you may decide to go for economy and ease. That is the American way of processed foods, the middle aisles of the supermarket containing all of those frozen things in bags and boxes: prepared pies and lasagna and pizza. Coupons in every newspaper and online will help you cut your costs further. The same supermarket features paper plates, paper napkins and plastic cups, as well as disposable roasting pans — you can cook and serve your meals on things you throw away — how easy is that?

Painting shows convenience foods, microwave oven, disposable utensils.

Ease. 6″ x 6″ Gouache and Watercolor Pencil. Sharyn Dimmick.

If you get excited when you see a recipe for altering your store-purchased roast chicken or cake mix, this way is for you. To be fair, the entry of Trader Joe’s into wider markets has increased the quality and selection of many packaged foods, although many of these items are heavier on salt than they should be. An easy and economical dinner option would be to heat up some Tasty Bites with some rice, or pop open the Prego and make spaghetti, as we occasionally do on nights when no one wants to cook. We all have our favored shortcuts. Just be aware that consistently choosing economy and ease has a high cost to the planet and to your health. Celi of The Kitchens Garden once suggested visualizing everything you discard going into a heap in your yard because, in a big sense, it does.

Then there is the middle way, the one where you strive for elegance and economy. In the absence of servants and cooks, you become the servant and cook yourself. The way to produce elegance out of economy is to work and to learn. With the help of cookbooks and food shows and now cooking blogs you can teach yourself to make puff pastry, croissants, sourdough pain au levain. You can practice flipping crepes and making elegant, seasonal marmalades and jams. You can make your own pestos, rather than buying them. You can make your own pasta and cheese like John from the Bartolini Kitchens. You can raise your own chickens like Suzanne and Scott and run your own sustainable farm like John and Celi. There is no end to the elegance to which you can aspire if you are willing to put in the labor. With this option, you cannot fire the cook, you can only start over and attempt to do better. We have pretensions to elegance and economy around here: we have the economy down and we struggle with the elegance, sometimes gracefully, sometimes humorously. We have learned to know our limits: deep-fried dishes and crepes are beyond my reach, so I reserve those dishes for restaurant dining, currently a rare treat.

Painting shows basket of fresh produce.

Economy: Market Basket. 6″ x 6″ Gouache and Watercolor Pencil. Sharyn Dimmick.

Many of you in the food blogosphere do better with elegant tables than I do. We do eat on china and use cloth napkins and I can manage a garnish on a good day, but I am generally more concerned with the taste and texture of the food than I am with the presentation. I do well on economy, although I could do better — I strive to use every bit of food that comes into our household: the Riverdog Farm chicory challenge is a good example of that and I have chronicled the ever-expanding list of things I make each citrus season. Using up all of that food is work and conversations around our house frequently begin with “We need to use up the sour milk” or “We need to think of something to do with the plum jam” or “What are we going to do with seven leeks?” The best starting point I can come from is that of love, when I want to make my own sourdough because I love it so much and can’t be down at the bakery everyday buying samples, when I have raspberries so special that I want to learn to make raspberry caramel to layer into a dessert. The combination of elegance and economy opens the door to challenge: can I make my own winter squash gnocchi? Will it be as good as what I have eaten in restaurants? It isn’t yet, but I have not given up trying.

I confess that I love to spend money on food and that I love to buy special, high-quality ingredients. When I walk through the Farmers’ Market in Berkeley I am often tempted to buy more than I can use easily, especially in the summer and early fall when the choices are so wide. If I had unlimited funds, I would buy more whipping cream, more organic milk and eggs and meat. I would experiment with coconut oil and almond flour and coconut sugar. I would buy raspberries every week during their season and eat them until I was sick of them. I would buy enough tomatoes in tomato season to have dried tomatoes for the other eight months of the year. With the economy I have been taught by my careful mother I scour the shelves at Grocery Outlet for true bargains: looking for great products at reduced prices is part of the work entailed in elegance and economy, as is limiting shopping to one trip a week and relying on creativity to devise appropriate substitutions and menu changes when we have run out of something.

This week I had the opportunity to visit what I affectionately call “the rotting rack” at Berkeley Bowl, the place where they put produce items reduced for quick sale. There I found several pounds of grapes for ninety-nine cents, organically grown fresh strawberries for the same price and a whole green papaya, which will soon become Thai green papaya salad (stay tuned). To find these items, I had to pick through many clam shells of moldy strawberries and under-ripe hothouse tomatoes. To turn these items into meals and snacks, I will have to contribute labor: my friend Elaine and I sat around last night removing the seeds from the grapes and arranging grape halves on the trays of my dehydrator where they became raisins overnight. I also had to sort and trim all of the strawberries to make sure no mold lurked about (There was none).

There are many paths through the maze of ease, elegance and economy. Eating things in their seasons is a good start. While seasonal delicacies such as lobster and raspberries may never become cheap, they are at their best and most plentiful in their time and when the supply goes up, the price goes down. Think of zucchini season when you have to do anything you can to refuse zucchini donations from overzealous gardeners. Good restaurants capitalize on seasonality, buying their produce from small farmers and varying their menus to serve the season’s treasures. Our local Chez Panisse built its reputation on foraging for the best ingredients each week and preparing them skillfully. Not everyone can eat at Chez Panisse, but we can do our best to shop locally, eat fresh food whenever possible and create our own experiences of elegance.

P.S. For the record: I will eat Prego marinara but I always make brownies from scratch.